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THE PEACE KEEPER

From the The Soul Mender Trilogy series , Vol. 2

A solid, earnest entry with richly developed characters and moral themes.

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In the second installment of Dabney’s (The Soul Mender, 2016) fantasy series, Riley Dale seems destined to restore stability to increasingly unstable parallel universes.

As the story opens, Riley is relatively safe in her own world after having returned from its parallel version. Each is populated by the other’s moral opposites—good people in one are evil in the other, and vice versa. The history of these universes goes back to the biblical story of Adam and Eve, when a bite of the forbidden fruit split good and evil into separate entities, along with humanity’s soul. Riley is one of the Electa, Eve’s descendants, who’ve been chosen to save the world. She and Gabe, her “Custos” (or protector), cross over again to the other world to liberate her friends—including her opposite, Oz—from the clutches of evil U.S. president Jackson Cain. He’s hoping to destroy Riley’s ring, bequeathed to her by her Electa grandmother, in order to bring about the end of the Electa. Both worlds are on the verge of devastation: Riley’s is threatened by terrorists overtaking America, and the other by an impending world war. In order to save them both, she must hone her mental training and weaponry skills, dodge assassins, and get along with the tougher but less compassionate Oz. Dabney boosts the action in this deftly written second installment, quickly moving the story to Riley’s training with her grandmother’s Custos, Michael Flynn, and swiftly following it with the rescue mission. The tried-and-true good-vs.-evil theme is surprisingly profound here; for example, killing a bad guy in one world means that an innocent person dies in the other, and Riley’s parallel-world ally, Zach Stone, is a serial killer back where she came from. Riley is a resolute protagonist throughout, determined to complete her task despite questioning her own abilities. Her behavior, however, doesn’t always befit her 22 years, such as when she pouts and grumbles when Oz gets more praise than she does. Plenty is left unexplained, but the answers will provide ample material for Dabney’s concluding volume.

A solid, earnest entry with richly developed characters and moral themes.

Pub Date: Dec. 15, 2016

ISBN: 978-0-9977958-1-3

Page Count: 338

Publisher: CreateSpace

Review Posted Online: April 14, 2017

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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