A solid, earnest entry with richly developed characters and moral themes.
In the second installment of Dabney’s (The Soul Mender, 2016) fantasy series, Riley Dale seems destined to restore stability to increasingly unstable parallel universes.
As the story opens, Riley is relatively safe in her own world after having returned from its parallel version. Each is populated by the other’s moral opposites—good people in one are evil in the other, and vice versa. The history of these universes goes back to the biblical story of Adam and Eve, when a bite of the forbidden fruit split good and evil into separate entities, along with humanity’s soul. Riley is one of the Electa, Eve’s descendants, who’ve been chosen to save the world. She and Gabe, her “Custos” (or protector), cross over again to the other world to liberate her friends—including her opposite, Oz—from the clutches of evil U.S. president Jackson Cain. He’s hoping to destroy Riley’s ring, bequeathed to her by her Electa grandmother, in order to bring about the end of the Electa. Both worlds are on the verge of devastation: Riley’s is threatened by terrorists overtaking America, and the other by an impending world war. In order to save them both, she must hone her mental training and weaponry skills, dodge assassins, and get along with the tougher but less compassionate Oz. Dabney boosts the action in this deftly written second installment, quickly moving the story to Riley’s training with her grandmother’s Custos, Michael Flynn, and swiftly following it with the rescue mission. The tried-and-true good-vs.-evil theme is surprisingly profound here; for example, killing a bad guy in one world means that an innocent person dies in the other, and Riley’s parallel-world ally, Zach Stone, is a serial killer back where she came from. Riley is a resolute protagonist throughout, determined to complete her task despite questioning her own abilities. Her behavior, however, doesn’t always befit her 22 years, such as when she pouts and grumbles when Oz gets more praise than she does. Plenty is left unexplained, but the answers will provide ample material for Dabney’s concluding volume.
A solid, earnest entry with richly developed characters and moral themes.Pub Date: Dec. 15, 2016
ISBN: 978-0-9977958-1-3
Page Count: 338
Publisher: CreateSpace
Review Posted Online: April 14, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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