by Ruby Dee ‧ RELEASE DATE: Nov. 13, 1998
With this painfully sincere collection of poems, stories, and character pieces, Ruby Dee joins the unhappy pantheon of actors, such as Jimmy Stewart and Leonard Nimoy, who have strayed disastrously into scribbling. Most of these pieces are drawn from Dee’s traveling one-woman show, also called My One Good Nerve. And so, the pieces may perform better than they read. You can guess where Dee as performer might pause dramatically, where she—d slip fully into a character, and where she—d build cadences eloquently, but the words and lines themselves, ranging from prosaic to warmed-over to embarrassing, do not equal her actor’s gifts. She suffers from the misconception, common to many amateur poets, that adapting prose by shortening line lengths and inserting a few repetitions will indeed result in a poem: “Tupac./Spelled backwards—/Caput. Meaning/ Finished. Over. Ended. Done./Twenty-six was it?/Oh my God. So young/Mouths drop. Stop in/Unbelieving anguish and surprise . . .” Her writing is arranged here loosely according to theme—a section on love, an aggregation of “comic” musings, grouped tributes to African-American heroes, and a woman-power wrap-up. There are well-intentioned allegorical musings on racism, fractured fairy tales and nursery rhymes, poems “celebrating” everyone from James Baldwin to Marvin Gaye . . . and it is all, with barely the breath of exception, misconceived, mishandled, and misbegotten. Dee writes what she knows, which is part of the problem. She’s piggybacking off tired modes and models, and shows neither the gifts nor the inclination to create anything original (or expertly derivative). All she has to offer is earnestness. As Oscar Wilde put it, “A little sincerity is a dangerous thing, and a great deal of it is absolutely fatal.” (A joint memoir by Dee and her husband, Ossie Davis, will be published by William Morrow, also in November.) (b&w photos, not seen)
Pub Date: Nov. 13, 1998
ISBN: 0-471-31704-7
Page Count: 192
Publisher: Wiley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1998
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by Ossie Davis & Ruby Dee
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adapted by Ruby Dee & illustrated by Jennifer Bent
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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