A penetrating, engrossing biography of a literary giant.
A masterful life of the prolific playwright, novelist, statesman, and poet who defined German romanticism.
After the production of his play Götz, 24-year-old Johann Wolfgang von Goethe (1749-1832) soared to fame throughout Germany, “a new star in the literary firmament,” a genius acclaimed for his “earthy, powerfully visceral tone” and “liberation from the conventional rules.” The following year, he wrote The Sorrows of Young Werther in a three-month burst of creative energy, drawing on the “stormy” romantic turmoil in his own life. Safranski, biographer of Friedrich Schiller, Arthur Schopenhauer, and Friedrich Nietzsche, among others, brings sensitivity and authority to a sweeping chronicle of Goethe’s life, drawing liberally from the writer’s autobiography and correspondence as well as other contemporary sources. The author has made the unusual decision to incorporate Goethe’s own words in italics rather than introducing quotations, resulting in a seamless, flowing narrative that foregrounds Goethe’s perspective while still offering a rich historical, philosophical, and artistic context. In a preface, conclusion, and two brief essays that punctuate the biography, Safranski pauses for reflection on Goethe’s work, relationships, state of mind, and intellectual interests, which included mysticism, alchemy, nature, and the existence of God. The young Goethe was influenced by Johann Gottfried Herder, already a famous writer although only five years older than his new friend. Goethe’s “candor, eagerness to learn, self-confidence, unself-consciousness, inventiveness, and playful and carefree nature” charmed Herder; for his part, Goethe was enchanted with the iconoclastic thinker whom Safranski likens to “a German Rousseau.” Later influences included Spinoza, Wilhelm von Humboldt, Byron, the Sturm und Drang writers who passed through Weimar, and Schiller, with whom he collaborated on plays. Prominent are his many passionate love affairs, often with married women, that fueled his work. Safranski places his sister among those women, noting “an erotic edge to their relationship.” Throughout, the author ably elucidates Goethe’s works, emphasizing the significance of Faust as a herald of modernism.
A penetrating, engrossing biography of a literary giant.Pub Date: May 16, 2017
ISBN: 978-0-87140-490-9
Page Count: 704
Publisher: Liveright/Norton
Review Posted Online: Feb. 19, 2017
Kirkus Reviews Issue: March 1, 2017
BOOK REVIEW
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
