by Rüdiger Safranski translated by David Dollenmayer ‧ RELEASE DATE: May 16, 2017
A penetrating, engrossing biography of a literary giant.
A masterful life of the prolific playwright, novelist, statesman, and poet who defined German romanticism.
After the production of his play Götz, 24-year-old Johann Wolfgang von Goethe (1749-1832) soared to fame throughout Germany, “a new star in the literary firmament,” a genius acclaimed for his “earthy, powerfully visceral tone” and “liberation from the conventional rules.” The following year, he wrote The Sorrows of Young Werther in a three-month burst of creative energy, drawing on the “stormy” romantic turmoil in his own life. Safranski, biographer of Friedrich Schiller, Arthur Schopenhauer, and Friedrich Nietzsche, among others, brings sensitivity and authority to a sweeping chronicle of Goethe’s life, drawing liberally from the writer’s autobiography and correspondence as well as other contemporary sources. The author has made the unusual decision to incorporate Goethe’s own words in italics rather than introducing quotations, resulting in a seamless, flowing narrative that foregrounds Goethe’s perspective while still offering a rich historical, philosophical, and artistic context. In a preface, conclusion, and two brief essays that punctuate the biography, Safranski pauses for reflection on Goethe’s work, relationships, state of mind, and intellectual interests, which included mysticism, alchemy, nature, and the existence of God. The young Goethe was influenced by Johann Gottfried Herder, already a famous writer although only five years older than his new friend. Goethe’s “candor, eagerness to learn, self-confidence, unself-consciousness, inventiveness, and playful and carefree nature” charmed Herder; for his part, Goethe was enchanted with the iconoclastic thinker whom Safranski likens to “a German Rousseau.” Later influences included Spinoza, Wilhelm von Humboldt, Byron, the Sturm und Drang writers who passed through Weimar, and Schiller, with whom he collaborated on plays. Prominent are his many passionate love affairs, often with married women, that fueled his work. Safranski places his sister among those women, noting “an erotic edge to their relationship.” Throughout, the author ably elucidates Goethe’s works, emphasizing the significance of Faust as a herald of modernism.
A penetrating, engrossing biography of a literary giant.Pub Date: May 16, 2017
ISBN: 978-0-87140-490-9
Page Count: 704
Publisher: Liveright/Norton
Review Posted Online: Feb. 19, 2017
Kirkus Reviews Issue: March 1, 2017
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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