Adults wishing to share childhood memories with a new generation will appreciate the opportunities this title offers, but...
Packaged as a Christmas trilogy, this edition of Anaya’s nostalgic narrative includes new illustrations and two personal essays, giving readers a historical perspective on some of the multicultural traditions of New Mexico.
In the title, opening story, Anaya presents the story of young Luz, who celebrates Christmas with her mother and ailing abuelo while her soldier father is away at war. In “Season of Renewal,” the solemnity of the mile-long walk to the church for midnight Mass segues to the excitement of children collecting fruit, nuts, and candy from neighbors on Christmas Day. From the Jémez Pueblo’s Matachines dances in honor of Our Lady of Guadalupe to the winter solstice ritual of setting up the tree of life, the author’s recollections of year-end festivities in New Mexico are celebrations of life. “A Child’s Christmas in New Mexico, 1944” is threaded with religious symbolism. Mother’s flour tortillas’ transformation into the family’s eucharist and how the annual rebirth of Christ foreshadows the fertility of spring are memories that have sustained Anaya across the years. “Long after I am a grown man, I will come to the knowledge that not every shepherd arrives at the manger,” he reflects. Córdova’s illustrations are earth-toned and evocative of the retablos found throughout the region. Throughout, the tone is nostalgic, even sentimental, more reflective of an adult looking back than a child’s in-the-moment experience.
Adults wishing to share childhood memories with a new generation will appreciate the opportunities this title offers, but children may find this edition somewhat daunting .(Picture book. 5-8)Pub Date: Nov. 1, 2015
ISBN: 978-0-89013-609-6
Page Count: 48
Publisher: Museum of New Mexico
Review Posted Online: Aug. 11, 2015
Kirkus Reviews Issue: Sept. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Thoughtful and joyful.
A child of Vietnamese descent fantasizes about the perfect outfit for Tết.
One night, Mai dreams about being a big “STAAAAAAR” and fielding questions on the red carpet. Mai’s literal dream dress is a sparkly silver ballroom gown with a sweetheart cut. After waking up, the child is eager to tell Ba all about it, but first it’s time to get ready. It’s the first day of Tết, or Lunar New Year, and the family plans to celebrate at Mai’s grandmother’s house. Though Mai loves visiting Bà Nội, the child balks at donning the áo dài, a Vietnamese outfit consisting of a tunic worn over trousers. “Stars wear dresses and gowns,” Mai tells Ba. But Ba shows Mai the family photo album, explaining that Bà Nội had her own sewing school in Vietnam and that her students lovingly dubbed her the “Queen of Áo Dài.” To keep their traditions alive when the family emigrated, Bà Nội continued to make áo dài for her loved ones, and the children learned to sew them as an expression of love. Finally, with a newfound appreciation for the garment, Mai greets Bà Nội with a hug, clad in a customized áo dài made by Ba. Told entirely through naturally expressed and well-paced dialogue and accompanied by vividly textured illustrations, this is a loving tale of a family finding a creative way to reshape a beloved tradition.
Thoughtful and joyful. (glossary, “let’s design our own áo dài” activity) (Picture book. 5-8)Pub Date: Jan. 7, 2025
ISBN: 9781665917346
Page Count: 40
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
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