Adults wishing to share childhood memories with a new generation will appreciate the opportunities this title offers, but...
Packaged as a Christmas trilogy, this edition of Anaya’s nostalgic narrative includes new illustrations and two personal essays, giving readers a historical perspective on some of the multicultural traditions of New Mexico.
In the title, opening story, Anaya presents the story of young Luz, who celebrates Christmas with her mother and ailing abuelo while her soldier father is away at war. In “Season of Renewal,” the solemnity of the mile-long walk to the church for midnight Mass segues to the excitement of children collecting fruit, nuts, and candy from neighbors on Christmas Day. From the Jémez Pueblo’s Matachines dances in honor of Our Lady of Guadalupe to the winter solstice ritual of setting up the tree of life, the author’s recollections of year-end festivities in New Mexico are celebrations of life. “A Child’s Christmas in New Mexico, 1944” is threaded with religious symbolism. Mother’s flour tortillas’ transformation into the family’s eucharist and how the annual rebirth of Christ foreshadows the fertility of spring are memories that have sustained Anaya across the years. “Long after I am a grown man, I will come to the knowledge that not every shepherd arrives at the manger,” he reflects. Córdova’s illustrations are earth-toned and evocative of the retablos found throughout the region. Throughout, the tone is nostalgic, even sentimental, more reflective of an adult looking back than a child’s in-the-moment experience.
Adults wishing to share childhood memories with a new generation will appreciate the opportunities this title offers, but children may find this edition somewhat daunting .(Picture book. 5-8)Pub Date: Nov. 1, 2015
ISBN: 978-0-89013-609-6
Page Count: 48
Publisher: Museum of New Mexico
Review Posted Online: Aug. 11, 2015
Kirkus Reviews Issue: Sept. 1, 2015
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Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
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BOOK REVIEW
A holiday outing that doesn’t quite satisfy.
In this follow-up to singer Parton and co-author Perl’s Billy the Kid Makes It Big (2023), literal and figurative bumps in the road imperil the touring canine country star’s promise to be home for Christmas.
Inspired by one of Parton’s holiday songs, the tale sees Billy, a small brown French bulldog, and bandmates Bo, Buster, and Binky boarding a tour bus for “pawsome” glimpses of natural wonders along with meetings with fans and “puparazzi.” Then, although Billy has sent many letters home promising to be there for the holiday, an invitation to play Barkafeller Center on Christmas Day instantly changes his tune. “Billy was happy. Though he still felt a little…he wasn’t sure what.” Readers may be excused for having mixed feelings about his mixed feelings, not to mention his tersely unapologetic note to the folks. But when, thanks to a bus-busting rock in the road on Christmas Eve, it looks like the band will have to contrive their own celebration (“Silent night, howly night”), Billy remembers that he started making music in the first place for his loved ones. He has no problem bagging the big concert (Fans? What fans? Contract? What contract?) when Dolly herself rolls up in her own bus to offer a ride back to his “Tennessee mountain home” in time for a small show for “the most important audience in the world.” While Billy cuts an endearing figure in Haley’s cartoonish illustrations, his willingness to disappoint first family, then fans may have readers feeling less than cheery.
A holiday outing that doesn’t quite satisfy. (lyrics to Parton’s “Comin’ Home for Christmas”) (Picture book. 5-7)Pub Date: Oct. 1, 2024
ISBN: 9780593755006
Page Count: 40
Publisher: Penguin Workshop
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
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