This story soars.
Set in Pakistan during Basant, “the most exciting day of the year,” this story focuses on the strength and resourcefulness of a child in a wheelchair as he navigates the skies at the spring kite festival.
Perched on the rooftop and assisted by his brother and sister, Malik launches his small but swift creation, named Falcon, into the stratosphere, where it defeats both of the kites that belong to the bully next door. (Unlikely as that may be, it will undoubtedly please the intended audience.) Falcon sends many others to the ground, where “they’ll belong to whoever finds them. But at least they will have tasted freedom.” Silk, burlap, brocade, embroidery, ribbons and rice paper mingle with light brown figures outlined in black within exquisite and dynamic mixed-media collages. In one particularly successful scene, layered buildings and billowing laundry form a backdrop, the three siblings dominate the middle ground, and Malik’s white robe becomes a sky against which small figures cycle in the foreground. Pointed Moorish arches are a design element on almost every page, often framing the text and lending a cultural reference. Displaying another side of his personality, the “King” concludes his day of warfare with a secret act of kindness. Krömer’s inventive compositions are a visually exciting match for Khan’s introduction to an appealing event (originally published in Canada in 2001 with art by different illustrators).
This story soars. (author’s note) (Picture book. 4-7)Pub Date: Jan. 1, 2014
ISBN: 978-1-60060-659-5
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: Aug. 30, 2013
Kirkus Reviews Issue: Sept. 15, 2013
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
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