by Rukhsana Khan ‧ RELEASE DATE: May 1, 2009
This short novel looks at life in Afghanistan just after the fall of the Taliban. When Jameela’s devout mother dies, her father—who has always strayed from the rules, dabbling in opium, skipping his prayers—abruptly moves them from the country to Kabul, where he lives a more Westernized lifestyle (alcohol included) and has little patience—especialy after his new wife complains—for a daughter who is unattractive, devout and a bit too good to be true. So he abandons Jameela at an orphanage. Khan’s tale was inspired by true events, and touches on many issues about women and beauty in an Afghanistan in the midst of chaos and change, but Jameela lacks depth: Her faith often stands in for character, and even when she questions, she merely questions why she can’t be better. Secondary characters sometimes behave according to plot needs rather than character, and the passage of time and other minor details are often unclear. Despite the flaws, this fills a niche and does so with respect for the people and places described—and with sometimes downright lovely language. (author’s note, glossary) (Fiction. 10-14)
Pub Date: May 1, 2009
ISBN: 978-0-88899-858-3
Page Count: 192
Publisher: Groundwood
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2009
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by Rukhsana Khan ; illustrated by Chaaya Prabhat
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by Rukhsana Khan ; illustrated by Christiane Krömer
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by Andrew Clements & illustrated by Brian Selznick ‧ RELEASE DATE: June 1, 2001
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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by Andrew Clements ; illustrated by Brian Selznick
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by Francesco D’Adamo ‧ RELEASE DATE: Nov. 1, 2003
This profoundly moving story is all the more impressive because of its basis in fact. Although the story is fictionalized, its most harrowing aspects are true: “Today, more than two hundred million children between the ages of five and seventeen are ‘economically active’ in the world.” Iqbal Masih, a real boy, was murdered at age 13. His killers have never been found, but it’s believed that a cartel of ruthless people overseeing the carpet industry, the “Carpet Mafia,” killed him. The carpet business in Pakistan is the backdrop for the story of a young Pakistani girl in indentured servitude to a factory owner, who also “owned” the bonds of 14 children, indentured by their own families for sorely needed money. Fatima’s first-person narrative grips from the beginning and inspires with every increment of pride and resistance the defiant Iqbal instills in his fellow workers. Although he was murdered for his efforts, Iqbal’s life was not in vain; the accounts here of children who were liberated through his and activist adults’ efforts will move readers for years to come. (Fiction. 10-14)
Pub Date: Nov. 1, 2003
ISBN: 0-689-85445-5
Page Count: 128
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2003
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