Fun for readers who think that murder is cute.
A new novel from the man who wrote Swing (2005), Where the Truth Lies (2003), and “Escape (The Piña Colada Song).”
When Cliff Iverson tries—and fails—to murder his toxic boss, he is apprehended almost instantly. But instead of taking him down to the station, the “cops” who catch him whisk him away to the McMasters Conservatory for the Applied Arts. Set in a secret location, this very exclusive institution boasts a bucolic campus, three (unpublished) Michelin stars, and a comprehensive education in assassination. Cliff is there as a scholarship student, and much of the novel is addressed to the benefactor who made it possible for him to become a more effective murderer. There are also entries written by faculty and administrators as well as scenes following the educations of Dulcie Mown and Gemma Lindley, two other students. Once Cliff, Dulcie, and Gemma graduate, we follow them into the world as they scheme to complete their thesis projects—that is, as they attempt to “delete” their targets. There are a lot of genres happening at once in this novel. The debt to British boarding school stories is obvious, although the vibe is very different when the students aren’t adolescents finding themselves and their places in the world but, rather, full-grown adults playing water polo and enjoying sumptuous meals as they learn best practices for taking lives without getting caught. The journeys of Cliff, Dulcie, and Gemma unfold like mysteries in reverse. And, while the story is set in the 1950s, the plot and dialogue are much indebted to the screwball comedies of the 1930s. If this sounds like a lot, that’s because it is a lot. Everything about this book is a lot—if not too much. Holmes asks readers to suspend disbelief from the get-go, and he just keeps asking for more blind credulity as the narrative advances. Maybe more significantly, Holmes seems incapable of passing up an opportunity to be cute or clever. There are so many puns. This tendency slows the narrative in a way that almost invites readers to look for plot holes, of which there are many.
Fun for readers who think that murder is cute.Pub Date: Feb. 21, 2023
ISBN: 978-1-451648-21-8
Page Count: 400
Publisher: Avid Reader Press
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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