Fun for readers who think that murder is cute.
A new novel from the man who wrote Swing (2005), Where the Truth Lies (2003), and “Escape (The Piña Colada Song).”
When Cliff Iverson tries—and fails—to murder his toxic boss, he is apprehended almost instantly. But instead of taking him down to the station, the “cops” who catch him whisk him away to the McMasters Conservatory for the Applied Arts. Set in a secret location, this very exclusive institution boasts a bucolic campus, three (unpublished) Michelin stars, and a comprehensive education in assassination. Cliff is there as a scholarship student, and much of the novel is addressed to the benefactor who made it possible for him to become a more effective murderer. There are also entries written by faculty and administrators as well as scenes following the educations of Dulcie Mown and Gemma Lindley, two other students. Once Cliff, Dulcie, and Gemma graduate, we follow them into the world as they scheme to complete their thesis projects—that is, as they attempt to “delete” their targets. There are a lot of genres happening at once in this novel. The debt to British boarding school stories is obvious, although the vibe is very different when the students aren’t adolescents finding themselves and their places in the world but, rather, full-grown adults playing water polo and enjoying sumptuous meals as they learn best practices for taking lives without getting caught. The journeys of Cliff, Dulcie, and Gemma unfold like mysteries in reverse. And, while the story is set in the 1950s, the plot and dialogue are much indebted to the screwball comedies of the 1930s. If this sounds like a lot, that’s because it is a lot. Everything about this book is a lot—if not too much. Holmes asks readers to suspend disbelief from the get-go, and he just keeps asking for more blind credulity as the narrative advances. Maybe more significantly, Holmes seems incapable of passing up an opportunity to be cute or clever. There are so many puns. This tendency slows the narrative in a way that almost invites readers to look for plot holes, of which there are many.
Fun for readers who think that murder is cute.Pub Date: Feb. 21, 2023
ISBN: 978-1-451648-21-8
Page Count: 400
Publisher: Avid Reader Press
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
BOOK REVIEW
BOOK REVIEW
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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