Fun for readers who think that murder is cute.
A new novel from the man who wrote Swing (2005), Where the Truth Lies (2003), and “Escape (The Piña Colada Song).”
When Cliff Iverson tries—and fails—to murder his toxic boss, he is apprehended almost instantly. But instead of taking him down to the station, the “cops” who catch him whisk him away to the McMasters Conservatory for the Applied Arts. Set in a secret location, this very exclusive institution boasts a bucolic campus, three (unpublished) Michelin stars, and a comprehensive education in assassination. Cliff is there as a scholarship student, and much of the novel is addressed to the benefactor who made it possible for him to become a more effective murderer. There are also entries written by faculty and administrators as well as scenes following the educations of Dulcie Mown and Gemma Lindley, two other students. Once Cliff, Dulcie, and Gemma graduate, we follow them into the world as they scheme to complete their thesis projects—that is, as they attempt to “delete” their targets. There are a lot of genres happening at once in this novel. The debt to British boarding school stories is obvious, although the vibe is very different when the students aren’t adolescents finding themselves and their places in the world but, rather, full-grown adults playing water polo and enjoying sumptuous meals as they learn best practices for taking lives without getting caught. The journeys of Cliff, Dulcie, and Gemma unfold like mysteries in reverse. And, while the story is set in the 1950s, the plot and dialogue are much indebted to the screwball comedies of the 1930s. If this sounds like a lot, that’s because it is a lot. Everything about this book is a lot—if not too much. Holmes asks readers to suspend disbelief from the get-go, and he just keeps asking for more blind credulity as the narrative advances. Maybe more significantly, Holmes seems incapable of passing up an opportunity to be cute or clever. There are so many puns. This tendency slows the narrative in a way that almost invites readers to look for plot holes, of which there are many.
Fun for readers who think that murder is cute.Pub Date: Feb. 21, 2023
ISBN: 978-1-451648-21-8
Page Count: 400
Publisher: Avid Reader Press
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
BOOK REVIEW
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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