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ESKIMO BOY

LIFE IN AN INUPIAQ ESKIMO VILLAGE

In perceptive, skillfully composed color photos captioned with a brief text, a realistic portrait of seven-year-old Norman and his life year-round. Kendall's outstanding photos are the strength here. Norman is winsomely photogenic; portraits of older family members suggest complex characters and experience: an adult brother is alert but reserved; a sturdy grandmother has a no-nonsense face mellowed by warmly twinkling eyes. The village of Shishmaret (clearly located on a map) is observed in winter's half-light and on a bright day when snow covers the ground and dogs are tethered everywhere, with utilitarian houses clustered together (no igloos). Norman is also shown at school, fishing, and going to the nearest dentist in an airplane. The text is serviceable, though sometimes written down (why not say what Norman's mother is cutting, instead of calling it ``something''?). But a succinct afterword on ``Modern-day Eskimos'' is telling in its description of rapid changes that have left many English-speaking children unable to converse in a common language with their own grandparents. A note on the photos is welcome, especially for its explanation of a time photo of the night sky including an aurora. Less prettified than Keegan's photo essays on Native Americans (Pueblo Boy, 1991); like Aylette Jenness's book about a Yup'ik family (In Two Worlds, 1989, for older children), excellent source material. Pronouncing glossary of 21 Inupiaqu words. (Nonfiction. 5-8)

Pub Date: March 1, 1992

ISBN: 0-590-43695-3

Page Count: 40

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1992

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I WISH YOU MORE

Although the love comes shining through, the text often confuses in straining for patterned simplicity.

A collection of parental wishes for a child.

It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.

Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)

Pub Date: April 1, 2015

ISBN: 978-1-4521-2699-9

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: Feb. 15, 2015

Kirkus Reviews Issue: March 1, 2015

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LAST DAY BLUES

From the Jitters series

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One more myth dispelled for all the students who believe that their teachers live in their classrooms. During the last week of school, Mrs. Hartwell and her students reflect on the things they will miss, while also looking forward to the fun that summer will bring. The kids want to cheer up their teacher, whom they imagine will be crying over lesson plans and missing them all summer long. But what gift will cheer her up? Numerous ideas are rejected, until Eddie comes up with the perfect plan. They all cooperate to create a rhyming ode to the school year and their teacher. Love’s renderings of the children are realistic, portraying the diversity of modern-day classrooms, from dress and expression to gender and skin color. She perfectly captures the emotional trauma the students imagine their teachers will go through as they leave for the summer. Her final illustration hysterically shatters that myth, and will have every teacher cheering aloud. What a perfect end to the school year. (Picture book. 5-8)

None None

Pub Date: Feb. 1, 2006

ISBN: 1-58089-046-6

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2006

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