by Russell Miller ‧ RELEASE DATE: Dec. 9, 2008
Ably shows a writer whose strengths were as prodigious as his weaknesses.
Balanced, highly readable biography of Sherlock Holmes’s phenomenally prolific creator, who began his career as a hardheaded physician and ended it with a daffy devotion to Spiritualism and an adamant advocacy for existence of fairies.
British nonfiction veteran Miller (Behind the Lines: The Oral History of Special Operations in World War II, 2002, etc.) reveals his subject as a talented, extraordinarily complicated man. Conan Doyle (1859–1930) wrote 54 short stories and four novels starring Sherlock Holmes. They earned a fortune but never brought him the high literary standing he craved. His publishers and public mostly tolerated his numerous other novels, histories, tracts and pamphlets—the biography deals directly with most—but they always clamored for more Holmes. Miller’s narrative is firmly traditional, beginning with family background, then proceeding from cradle to grave with pauses for cultural and social history, as well as descriptions of Conan Doyle’s work and travels. The writer had a complex love life. Married to Louisa “Touie” Hawkins in 1885, he later fell in love and established a platonic relationship with a younger woman, Jean Leckie, who virtually joined the family and assumed the role of wife-in-waiting for nine years while Touie slowly died of tuberculosis. Miller is strong on the genesis of Holmes, noting that Conan Doyle properly credited Edgar Allan Poe’s detective Dupin as an early influence. The large, stout author was also an eager athlete, a vigorous player of cricket and golf. Later in his life, he volunteered for active military duty several times but was politely turned down. The sad final section shows a deeply deluded, intransigent Conan Doyle, traveling the world to trumpet the reality of fairies and Spiritualism, committing his fortune and reputation to proving that the dead can speak to the living.
Ably shows a writer whose strengths were as prodigious as his weaknesses.Pub Date: Dec. 9, 2008
ISBN: 978-0-312-37897-4
Page Count: 544
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2008
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by Russell Miller with Judith A. Proffer ; illustrated by Yoko Matsuoka
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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