The cinematic, twisting plot superbly navigates a series of explosive events that lead this battle-ready political thriller...

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WHO YOU'VE GOT TO KILL

In this thriller, a military trial exposes a deep-seated network of political corruption.

In Fallujah, Iraq, a squad of U.S. Marines is on a mission to clear insurgents from the local houses and businesses. The troops are suddenly ambushed and hit by an IED, killing all of the team except the captain and two privates. Three innocent civilians die in the fray, too. The FUBAR prompts an investigation into the Marines’ actions and a subsequent trial to determine if they were following commands or executing a revenge-fueled plot. When military attorney Capt. Chuck Slidell subpoenas the reluctant Gen. Maxwell to appear at the court martial, it sparks a series of nasty repercussions that are only the beginning of the attorney’s problems, which will put his life and the lives of his loved ones in danger. While Slidell attempts to prove the innocence of the officers, he uncovers a network of corruption—blackmail, bribery, pedophilia—that stretches from the military all the way up to the president. The same network is determined to stop him, by any means necessary. When he receives a letter naming some of the corrupt members, Slidell realizes just how intricate and complex the network is, with high players in politics and the judiciary. Days later, the colleague who sent the accusatory missive is found dead in a motel room. It’s no coincidence. O Fiaich unapologetically exposes the shrapnel of war-torn Iraq, as he weaves the intricate, shocking display of political puppetry on both sides of the war, revealing its ugly effects on the lives of the innocent.

The cinematic, twisting plot superbly navigates a series of explosive events that lead this battle-ready political thriller to its gripping conclusion.

Pub Date: Oct. 8, 2012

ISBN: 9780615694214

Page Count: 352

Publisher: Dog Ear Publisher

Review Posted Online: July 17, 2012

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Follett's fans will enjoy this jaunt through the days before England was merry.

THE EVENING AND THE MORNING

Murder, sex, and unholy ambition threaten to overwhelm the glimmers of light in Dark Ages England in this prequel to The Pillars of the Earth (1989).

A Viking raid in 997 C.E. kills Edgar’s one true love, Sungifu, and he vows never to love another—but come on, he’s only 18. The young man is a talented builder who has strong personal values. Weighing the consequences of helping a slave escape, he muses, “Perhaps there were principles more important than the rule of law.” Meanwhile, Lady Ragna is a beautiful French noblewoman who comes to Shiring, marries the local ealdorman, Wilwulf, and starts a family. Much of the action takes place in Dreng’s Ferry, a tiny hamlet with “half a dozen houses and a church.” Dreng is a venal, vicious ferryman who hurls his slave’s newborn child into a river and is only one of several characters whose death readers will eagerly root for. Bishop Wynstan lusts to become an archbishop and will crush anyone who stands in his way. He clashes with Ragna as she announces she is lord of the Vale of Outhen. “Wait!” he says to the people, “Are you going to be ruled by a mere woman?” (Wynstan’s fate is delicious.) Aldred is a kindly monk who harbors an unrequited love for Edgar, who in turn loves Ragna but knows it’s hopeless: Although widowed after Wilwulf’s sudden death, she remains above Edgar’s station. There are plenty of other colorful people in this richly told, complex story: slaves, rapists, fornicators, nobles, murderers, kind and decent people, and men of the cloth with “Whore’s Leprosy.” The plot at its core, though, is boy meets girl—OK, Edgar meets Ragna—and a whole lot of trouble stands in the way of their happiness. They are attractive and sympathetic protagonists, and more’s the pity they’re stuck in the 11th century. Readers may guess the ending well before Page 900—yes, it’s that long—but Follett is a powerful storyteller who will hold their attention anyway.

Follett's fans will enjoy this jaunt through the days before England was merry.

Pub Date: Sept. 15, 2020

ISBN: 978-0-52-595498-9

Page Count: 928

Publisher: Viking

Review Posted Online: July 1, 2020

Kirkus Reviews Issue: July 15, 2020

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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