Huge War of the Worlds stuff (war of the galaxies, actually): satisfying, tragic, and spectacular.
An alliance of humans and aliens prepares for a devastating attack by a mysterious, destructive force from another galaxy in this sequel.
In Williamson’s (Encounters, 2012) sci-fi epic, the humans of Amular are drastically transformed by alien first-contact with a blobular species nicknamed the Loud (for the earsplitting howls through which they converse). A millennium more advanced, the Loud grant the humans immortality (best for consistent trade over light-year distances) and undreamt-of technologies. But shockingly, the Loud’s home star system is destroyed by a menace even they can’t comprehend, a theoretical superrace nicknamed the Spiral Slayers, who have been piloting black holes and annihilating intelligence-bearing worlds since time immemorial. The first book ended with the humans resisting hopelessness, determined to fight against a nearly godlike entity heading toward Amular. The sequel nimbly covers the two-century timeline of the Slayer ship’s 200 light-years approach, as a Loud-human coalition mounts defenses and fallbacks against the invader. But a psychotic, disgraced human politician, who, with newfound immortality, allows his feuds to reach extinction level, starts a conspiracy-minded, anti-Loud terrorist movement (not unlike today’s climate-change deniers). Moreover, the Capt. Kirk–like series hero, Adm. Adamarus Maximus, gravitates toward infidelity against his now-rejuvenated, loyal wife (one of the few campy conceits of the material: hotties with heavenly bodies abounding). And what if the Loud are hiding something after all? In this novel, the author continues a saga of cataclysm on a cosmological scale, rivaling big-ideas authors Gregory Benford, Alastair Reynolds, Olaf Stapledon, et al. Williamson’s introduction defends his decision to set the plot—dated 300 million years ago—around an Earth surrogate. With a parallel evolution, Amular has flora, fauna, and a society practically identical to Earth. But by sidestepping details like political parties and national and ethnic affiliations, he gracefully shears off baggage that might have been cumbersome stuff as events hurtle toward a white-knuckle doomsday battle. Perhaps the long-time-ago-in-a-galaxy-far-far-away thing will pay off in one of the two more projected volumes in the series. Readers should be eager for more of Williamson’s shock-and-awe storytelling either way.
Huge War of the Worlds stuff (war of the galaxies, actually): satisfying, tragic, and spectacular.Pub Date: Sept. 18, 2016
ISBN: 978-1-5370-8593-7
Page Count: 664
Publisher: CreateSpace
Review Posted Online: April 8, 2017
Kirkus Reviews Issue: May 15, 2017
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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