Houdini's fame is so great that he is more a metaphor for magical escape than a man, but Brandon's (The New Women and the Old Men, 1990) biography readably explores both his act's archetypal appeal and his obsessive personality. Born Ehrich Weiss in Hungary and raised in Wisconsin, Houdini mythologized his impoverished childhood and early career in countless interviews and publicity notices. Brandon penetrates his family's isolation in poverty, his father's failure as a rabbi in America, and his mother's Freudian bond with her favorite son. Married early, Houdini and his assistant-wife began with an unremarkable magic act, which they toured in circuses, vaudeville, and even a freak show. At the turn of the century his theatrical breakthrough came with concentrating and expanding on his original escape act—from handcuffs—and his promotional talents and showmanship brought him worldwide fame, with phenomenal success in autocratic Germany and Russia. He added constantly to his ingenious repertoire—escaping from straitjackets, immersed in water, suspended in midair, or buried alive—with an instinctual sense of the public appetite, while also writing books and dabbling in early movies and aviation. Preoccupied with spiritualism, he campaigned against fraudulent mediums and arranged experiments to make contact with his wife after his death. Invoking Freud and Jung, Brandon reveals Houdini's fixations on his mother (including impotence, in her guess), suicide, death, and the hereafter, and his act's fascination for his audience (though she ignores his influence on modern magicians like Penn and Teller). If her Houdini is shackled in Freudian complexes, though, his act was equally bound up in his obsessions. More trickily, Brandon adroitly deconstructs his secrets (available for years) but keeps the suspense and wonder intact. Apart from occasional slips into a corny carny-huckster style and insertions of irrelevant anecdotes of her own experiences, Brandon has written an entertaining biography of a legendary figure. (24 pages of b&w photos, not seen)
Pub Date: Oct. 1, 1994
ISBN: 0-679-42437-7
Page Count: 352
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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