As Jenny and Jack prevail over curses, thorns, blood tithes and hidden identities, this fairy-myth blooms past floridness...
Entrapment in a faerie forest has never been so delectable yet thorny, green yet purple, romantic yet sacrificial.
Years ago, Jenny and her brother walked past a copse. His flute-playing excited the trees, which grabbed him and stole him. After seven years of nightmares and psychiatrists, Jenny returns to the copse and gets swirled into the Realm, which is teeming with fae. These range from Folletti, whose “wings [make] different colored lights as they fluttered,” to archetypal figures Titania, Oberon and Puck (though this is no Midsummer Night’s Dream). Trees, leaves and soil make a palpable forest setting through which Jenny runs, bleeds and swoons, seeking her brother. She’s fierce and steely when necessary, yet falls for a broken fae boy so she can fix him; when he warns her he’s dangerous, she doesn't believe him, which the text constructs as love. Amid tangled vines of motive and alliance, savvy readers can discern secrets before Jenny does. Prose grows like weeds (“a flash of light, golden, as bright as newly restored hope”), particularly the descriptions of eyes, which "glisten" both in the sunlight and “like broken glass.” However, there's real gravity beneath the overgrowth through a seemingly mundane name—Jack—and the layered meanings of its common-noun forms.
As Jenny and Jack prevail over curses, thorns, blood tithes and hidden identities, this fairy-myth blooms past floridness into a worthy, memorable read (with movie potential). (Fantasy. 12-16)Pub Date: Aug. 16, 2012
ISBN: 978-0-8037-3580-4
Page Count: 384
Publisher: Dial Books
Review Posted Online: June 12, 2012
Kirkus Reviews Issue: July 1, 2012
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...
Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.
Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)Pub Date: Sept. 1, 2011
ISBN: 978-0-06-202648-4
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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