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SUICIDE

LIVING WITH THE QUESTION

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Maxwell (Eighteen Roses Red, 2006, etc.) revisits her son’s suicide and her subsequent grieving process.

When her 35-year-old son, Bill, committed suicide in 1989, Maxwell was shocked. Bill was seemingly happy and healthy. Married to a woman he loved, the father of two small children and engaged in a promising career, he was someone whom Maxwell felt had “found his place in life.” Maxwell recalls the days and weeks after Bill’s death with a mixture of palpable grief, journalistic detail and wisdom gained from the passage of time. As she carries on in the face of this almost unbearable loss, and as her family participates in the rituals associated with saying goodbye, Maxwell scours Bill’s life for signs of suffering that the family may have overlooked. She catches glimpses of Bill’s distress, including the haunting detail that an 8-year-old Bill told his younger brother he wanted to kill himself. One of the most intriguing aspects of the book is in how Bill’s wife, Laura, his children and his siblings navigate how to preserve and honor his memory. In the final chapters, Maxwell explores depression and suicide directly, drawing from extensive readings and her family’s experience. She concludes that societal attitudes toward suicide—described as “moralistic” and “superstitious”—are not only wrong but damaging. Her final advice to grieving readers: “Be willing to live with the unanswered questions and with your grief.” Time has provided Maxwell with the clarity to assess her grieving, but this memoir will be most comforting to those recently unmoored by a loss. This unusually thoughtful, considered memoir will be valuable and inspirational to readers who have lost a loved one to suicide.  

 

Pub Date: March 7, 2012

ISBN: 978-1468555929

Page Count: 124

Publisher: AuthorHouse

Review Posted Online: May 17, 2012

Kirkus Reviews Issue: June 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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