An exhaustive history of the most famous shrine in the Catholic world, carefully researched and skillfully narrated by Oxford historian Harris (Murders and Madness, not reviewed), who sees Lourdes as a stumbling block to 19th-century positivism. One of the most remarkable aspects of Lourdes is the fascination it has always exerted over nonbelievers who cannot accept the tenets of Catholicism but are nevertheless unable to dismiss the evidence of supernatural intervention the shrine presents. Here Harris follows in the tradition of the Viennese Jew Franz Werfel, whose Song of Bernadette made the shrine known throughout the world. But Harris writes from the perspective of historian rather than novelist, and her concern is to show that modern historiography, which has tended to view the development of Lourdes as a rear-guard attack upon the secularization of France, is misguided. In the first place, as she points out, the Catholic hierarchy of the time was most reluctant to lend credence to the veracity of Bernadette’s apparitions and found itself at nearly as great a loss as the secular authorities in dealing with the overwhelming popular response to the visions and the earliest cures. Moreover, the Church’s establishment of a Medical Board at the shrine to evaluate claims of miraculous healing was itself a major concession to the authority of secular science, rather than a rejection of it. Harris ultimately concludes that the growth of the cult of Lourdes was too immediate and far-reaching to have been the result of political or clerical orchestration and can only be explained as the sudden outlet of social aspirations that could not find release in either the Church or the bourgeois republic that was then being formed out of the Revolution’s legacy. An interesting revisionist interpretation that, unfortunately, promises more than it delivers: Harris does an excellent job of knocking down the assumptions of the 19th-century positivists but doesn—t build much in their stead. (70 b&w illus.)
Pub Date: Nov. 1, 1999
ISBN: 0-670-87905-3
Page Count: 496
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1999
BOOK REVIEW
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
