While not perfectly constructed, these stories turn out to be curious, diverse, and enjoyable.


Decision at Camp Ross Trails, and Other Stories

A debut collection offers six wide-ranging short stories on relationships among family, friends, colleagues, and species.

This book covers a vast terrain, exploring numerous styles, settings, and voices. It opens with the very brief “Keeping Busy,” in which Julie, on a smoke break at work, ponders a recent fire that consumed a trailer and man, possibly her co-worker’s brother. She figures the fire started with a cigarette, possibly hers. Julie, her town, and her job all pique interest, but the two-page story is too spare to ground readers or build empathy. “Game Day,” though much longer, has a similar sketchy feel. The story is told by a preschooler, Tommy, who lives with his mother near a large stadium. Tommy is precocious enough to ponder kindergarten and nap simply to improve his mother’s mood, yet seems utterly stymied by the marching band’s instruments at the stadium: “shiny gold funnel shapes” and a “big tummy thing.” A child’s viewpoint is indeed difficult and MacLaurin succeeds in portraying Tommy’s innocence and budding complicity, but the insight isn’t deep enough to create well-rounded characters or necessary tension. “The Greeting” attempts an even more challenging point of view: a dragonfly hoping to welcome two humans, or “Otherkind,” at a lakeshore. While initially confusing, the story shows potential, perhaps as environmental sci-fi. The author hits a stronger stride in “Decision at Camp Ross Trails,” about an eerie Girl Scout camp, and particularly in “Dinner at the Anatevka Grill,” in which a woman shares traditional Russian cuisine and tales of her past with her food critic husband. These characters possess a greater dimension, with their motivations and wants palpable, making the stories believable. “Anatevka Grill” rings true with rich sensory and historical details. The most entertaining story is “Odyssey, with Swine,” the last in the collection. Readers know at the outset where this is headed: a pig will be slaughtered. But they also sense there will be conflict. The narrator’s ensuing “odyssey” aptly pulls the plot—and the pig—toward an inevitable end.

While not perfectly constructed, these stories turn out to be curious, diverse, and enjoyable.

Pub Date: Feb. 26, 2012


Page Count: 74

Publisher: QuillerWorks Publishing

Review Posted Online: June 10, 2016

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.


Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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