A stirring fictional account of a remarkable figure that’s occasionally hampered by wooden prose.
Watson chronicles more than 50 years in the extraordinary life of Maggie Lena Walker, the first Black woman to charter an American bank.
When she’s 12, narrator Maggie Mitchell finds her life upended when her father is found floating facedown in the James River in Richmond, Virginia. Forced to grow up fast, Maggie helps her grief-stricken mother in her laundry service and soon begins attending meetings of the Independent Order of St. Luke, a humanitarian group for Black people in the community. Here, Maggie eventually meets and marries Armstead Walker, a man who admires her self-sufficiency, and they go on to have three children. Over the span of five decades, Maggie’s unwavering dedication to improving the lives of Black people is depicted in meticulous detail. Her efforts to expand the Order, eventually taking over its leadership, and her triumphs in establishing both a newspaper and the St. Luke Penny Savings Bank are challenged at every turn. Maggie weathers physical assaults, intimidation by White businessmen, and colorism from her darker-skinned peers, yet she remains dedicated to her causes even amid personal tragedies. Historically minded readers will enjoy the accurate details here; Maggie’s life is anchored around concrete dates that add context. Others may be disappointed by the expositional prose and dialogue. There are conversations between close friends that feel more like public speeches, as do parts of Maggie’s narration: “Negro women, hemmed in and circumscribed with every imaginable obstacle in our way, blocked and held down by the fears and prejudices of whites—ridiculed and sneered at by the intelligent Blacks. Let us all advance.” In addition, the time span means some milestones are given only glancing treatment—Watson shines when conveying Black patrons’ joy at finally having an emporium that caters to their needs, yet the passage is all too fleeting. At the same time, repetition takes up precious space. Armstead’s vacillation between approval and dismay at Maggie’s not being a typical housewife grows tiresome after the umpteenth mention. Still, Watson’s love for Maggie shines through.
A stirring fictional account of a remarkable figure that’s occasionally hampered by wooden prose.Pub Date: June 13, 2023
ISBN: 9781668003022
Page Count: 304
Publisher: Atria
Review Posted Online: March 27, 2023
Kirkus Reviews Issue: April 15, 2023
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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