Rendell’s 46th (Road Rage, 1997, etc.) is a modern-day fairy tale—Margaret Yorke meets Fay Weldon—that shows the dark side of lovers’ reckless pursuit of their objects of beauty. In long-ago happier days, Harriet Oxenholme was the lover of rock star Marc Syre. (In the novel’s opening scene, their love is being immortalized in a famous painting; the next time we see them, two years and many pages later, he’s throwing her bodily out of his house.) Now, faded and florid, she’s reduced to searching the adverts for workmen who can come to her lovely house to fill the hours left empty by her loveless marriage. Beautiful woodworker Teddy Brex seems perfect for the role of her next lover. But Teddy, an unloved child whose scary lack of nurturing has led him to prize beautiful things above people, is less interested in Harriet than in her house—or in Francine Hill, a fairy princess with a secret that, if he only knew it, makes her perfect for Teddy’s frighteningly abrupt style of courtship: as a child of six, she saw her mother open the door to the man who shot her to death and then came upstairs to Francine’s hiding place. Surviving both that nightmare and the six months of muteness that followed, Francine has grown up under the pathologically controlling eye of her wicked stepmother Julia. Once she’s set up her constellation of users and beautiful objects and shown how Harriet and Teddy can fulfill both functions at once, Rendell focuses on the doomed romance of murderous Teddy and haunted Francine with all the loving attention of a watchmaker regarding a ticking bomb. If the result lacks the energy and inevitability of the classic A Judgment in Stone, Rendell supplies a Dickensian wealth of social detail that brings her beautiful people and their predators to startling life.
Pub Date: March 17, 1999
ISBN: 0-609-60417-1
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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