Rendell’s 46th (Road Rage, 1997, etc.) is a modern-day fairy tale—Margaret Yorke meets Fay Weldon—that shows the dark side of lovers’ reckless pursuit of their objects of beauty. In long-ago happier days, Harriet Oxenholme was the lover of rock star Marc Syre. (In the novel’s opening scene, their love is being immortalized in a famous painting; the next time we see them, two years and many pages later, he’s throwing her bodily out of his house.) Now, faded and florid, she’s reduced to searching the adverts for workmen who can come to her lovely house to fill the hours left empty by her loveless marriage. Beautiful woodworker Teddy Brex seems perfect for the role of her next lover. But Teddy, an unloved child whose scary lack of nurturing has led him to prize beautiful things above people, is less interested in Harriet than in her house—or in Francine Hill, a fairy princess with a secret that, if he only knew it, makes her perfect for Teddy’s frighteningly abrupt style of courtship: as a child of six, she saw her mother open the door to the man who shot her to death and then came upstairs to Francine’s hiding place. Surviving both that nightmare and the six months of muteness that followed, Francine has grown up under the pathologically controlling eye of her wicked stepmother Julia. Once she’s set up her constellation of users and beautiful objects and shown how Harriet and Teddy can fulfill both functions at once, Rendell focuses on the doomed romance of murderous Teddy and haunted Francine with all the loving attention of a watchmaker regarding a ticking bomb. If the result lacks the energy and inevitability of the classic A Judgment in Stone, Rendell supplies a Dickensian wealth of social detail that brings her beautiful people and their predators to startling life.
Pub Date: March 17, 1999
ISBN: 0-609-60417-1
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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