This will have many children looking for meaning all around them.
A child’s transition to literacy is celebrated in this Brazilian import.
Little Pedro is an observant boy. Surrounded by “all kinds of posters, billboards, and signs,” he can understand most of the pictures, but others make no sense to him, “like the little signs on each street corner.” His mom explains that it’s the name of the street, but he sees just “a bunch of drawings,” represented as serpentine scribbles in the illustrations. One day, his mother tells him he will start school, where he will begin to “understand…the letters and numbers you are always asking about.” On the first day, Pedro’s teacher introduces her students to the letter A, and suddenly he sees “that the signs, billboards, and shop windows all had his teacher’s A.” Now, among the scribbles on the signs, Matoso places clearly distinguishable A’s. Each day, with each new letter, “the miracle continued to happen” until Pedro is reading, and letters completely replace the scribbles. Rocha’s text is marvelously child-centered, never leaving Pedro’s perspective and realistically evoking the way letter acquisition turns nonsense into sense for most children. Matoso’s striking, posterlike illustrations use a limited palette of, mostly, red, pink, blue, black, and olive, allowing figures and patterns to occasionally merge with negative space, visually reinforcing the mental gymnastics involved in deciphering letters, her awareness of environmental print as keen as Pedro’s.
This will have many children looking for meaning all around them. (Picture book. 3-6)Pub Date: Nov. 15, 2016
ISBN: 978-1-59270-208-4
Page Count: 40
Publisher: Enchanted Lion Books
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 15, 2016
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
A visually striking, engaging picture book that sends the message that everyone counts.
A playful counting book also acts as a celebration of family and human diversity.
Shannon’s text is delivered in spare, rhythmic, lilting verse that begins with one and counts up to 10 as it presents different groupings of things and people in individual families, always emphasizing the unitary nature of each combination. “One is six. One line of laundry. One butterfly’s legs. One family.” Gomez’s richly colored pictures clarify and expand on all that the text lists: For “six,” a picture showing six members of a multigenerational family of color includes a line of laundry with six items hanging from it outside of their windows, as well as the painting of a six-legged butterfly that a child in the family is creating. While text never directs the art to depict diverse individuals and family constellations, Gomez does just this in her illustrations. Interracial families are included, as are depictions of men with their arms around each other, and a Sikh man wearing a turban. This inclusive spirit supports the text’s culminating assertion that “One is one and everyone. One earth. One world. One family.”
A visually striking, engaging picture book that sends the message that everyone counts. (Picture book. 3-6)Pub Date: May 26, 2015
ISBN: 978-0-374-30003-6
Page Count: 32
Publisher: Frances Foster/Farrar, Straus & Giroux
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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