A sensitive and convincing account of Australian youth culture.
In this novel, an aspiring writer navigates unstable relationships during the early days of the Australian punk scene in the early 1980s.
Skilbeck, the author of Australian Fugue: The Antipode Room(2015), organizes the story of Roxanne “Roxy” Bergson around her romantic interactions with two men. Northern Irish Roxy, who was living in Japan, arrives for college in Adelaide with Samuel, her partner of four years—a man with whom, in her estimation, she was “supposed to have split up weeks before.” She finds Samuel particularly burdensome after she meets and sleeps with Raymond Furnett, an older university student and performance artist, so she confesses her infidelity to Samuel to push him to leave her. For Roxy, Raymond sparks “an overpowering Desire for experiences that would open up new opportunities, realms of being and becoming” that she can fulfill at college. The author’s use of the capital D, as well as Roxy’s tendency toward metaphysical terminology, effectively reveals her propensity for idealization; she even refers to Raymond as a “punk Nijinsky” during one of his performances involving self-harm. Roxy’s story is sure to inspire readers to recall their own youthful rebellions, and not just because of its accounts of wild antics but also because of its poeticism, which tends to linger in the mind. Take Roxy’s reaction to receiving a letter from Raymond (“My nerve endings shrieked like subliminal fruit bats at the sight of it”) or how she describes the “dangerous energy” and “crackling” air around a typewriter that Raymond steals for her to replace one she left on a train. Overall, the novel manages to authentically capture the physical and emotional exuberance of young artists and writers while also tempering it with mature reflection—and showing respect for both points of view.
A sensitive and convincing account of Australian youth culture.Pub Date: Dec. 7, 2021
ISBN: 978-0-645-19410-4
Page Count: 240
Publisher: Borderstream Books
Review Posted Online: Nov. 11, 2021
Kirkus Reviews Issue: Jan. 1, 2022
Review Program: Kirkus Indie
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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