A humorous, genre-defying, meandering analysis of present-day life as seen through a medieval lens.
A gay man approaching his mid-30s in London discovers that his troubles follow him through time.
George’s life is unraveling. He’s lost his data entry job, his boyfriend left him, and he survives by dog walking—often bypassing app rules to walk six dogs instead of four. While simultaneously wrangling his doggy horde in Greenwich Park and trying to remove his ex’s name from an internet bill, two pups escape, triggering chaos that somehow sends George hurtling back to the year 1300. Confusing the medieval peasants with his polyester clothing and glowing phone, George is imprisoned for months in a dirt cell, eventually escaping alongside Simon, an indentured servant with whom he feels an irrefutable connection. They journey to Simon’s land up north, left by a late uncle who, Simon says, was killed by a dragon. After months together, George is summoned by King Edward, forcing him to choose between the life he left and the life he’s building. The novel critiques modernity more than it explores medieval life, though it incorporates real historical speculation, like Prince Edward’s rumored relationship with Piers Gaveston. Told through George’s stream-of-consciousness narrative, it shifts between 14th-century life and reflections on modern society, contrasting medieval brutality with 21st-century depravity (“In the modern world, you don’t have to worry about running into severed heads, you just have to make sure not to google them”). While the science-fiction and fantasy elements set up intriguing premises, the story focuses on George’s passivity and internalized homophobia; his frequent self-hatred may frustrate readers (especially in the slower first half), but allows room for growth. Despite heavy themes, the book includes genuinely funny moments, such as George and Simon attending a Round Table tournament and being shushed for not respecting the troops.
A humorous, genre-defying, meandering analysis of present-day life as seen through a medieval lens.Pub Date: Jan. 20, 2026
ISBN: 9780063463509
Page Count: 304
Publisher: Morrow/HarperCollins
Review Posted Online: Oct. 25, 2025
Kirkus Reviews Issue: Dec. 1, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
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