GOOD NEIGHBORS

Name: GOOD NEIGHBORS
Author: Ryan David Jahn
ISBN: 978-0-14-311896-1

by Ryan David Jahn ‧ RELEASE DATE: June 1, 2011

Since Kat Marino is, for better or worse, the least-interesting person here, it’s well worth watching to see what Jahn can...

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A darkly powerful fictionalization of the last two hours in the life of Kitty Genovese, attacked and killed outside her New York apartment in the early morning hours of March 13, 1964, while her neighbors did nothing.

Only steps from her door in a typical Queens neighborhood, Katrina Marino, 28, returning from her job as night manager of a sports bar, is stabbed by an unknown man. Kat is a fighter, and she doesn’t take the assault lying down. She fights back; she screams; she begs her neighbors in the building for help. Although four different people hear her and consider phoning the police, none of them does, simply because they’re all so involved with their own problems. Patrick Donaldson weighs how to tell his bedridden mother that he’s been drafted. Diane Myers waits to confront her husband Larry about his obvious adultery. Thomas Marlowe, Larry’s bowling teammate, contemplates suicide. Peter and Anne Adams indulge in their first taste of spouse-swapping with Ron and Bettie Paulson. Frank Riva, terrified that his wife Erin may have struck a child with her car, sets off to see what he can learn. Emergency Medical Technician David White catches up with the molester who abused him as a child. Officer Alan Kees takes steps to deal with an extortionist. Debut novelist Jahn inhabits these people and their problems so completely and convincingly that they don’t seem like monsters even as they ignore the woman who’s dying only a few yards away.

Since Kat Marino is, for better or worse, the least-interesting person here, it’s well worth watching to see what Jahn can do in a novel that isn't based on a real-life person.

Pub Date: June 1, 2011

ISBN: 978-0-14-311896-1

Page Count: 288

Publisher: Penguin

Review Posted Online: May 3, 2011

Kirkus Reviews Issue: May 15, 2011

Categories:

HISTORICAL FICTION

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WE WERE THE LUCKY ONES

by Georgia Hunter ‧ RELEASE DATE: Feb. 14, 2017

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

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Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

Categories:

RELIGIOUS FICTION | HISTORICAL FICTION

- BOOK TO SCREEN
Hulu’s ‘We Were the Lucky Ones’ Adds To Cast

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SHOGUN

by James Clavell ‧ RELEASE DATE: June 23, 1975

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In Clavell's last whopper, Tai-pan, the hero became tai-pan (supreme ruler) of Hong Kong following England's victory in the first Opium War. Clavell's new hero, John Blackthorne, a giant Englishman, arrives in 17th century Japan in search of riches and becomes the right arm of the warlord Toranaga who is even more powerful than the Emperor. Superhumanly self-confident (and so sexually overendowed that the ladies who bathe him can die content at having seen the world's most sublime member), Blackthorne attempts to break Portugal's hold on Japan and encourage trade with Elizabeth I's merchants. He is a barbarian not only to the Japanese but also to Portuguese Catholics, who want him dispatched to a non-papist hell. The novel begins on a note of maelstrom-and-tempest ("'Piss on you, storm!' Blackthorne raged. 'Get your dung-eating hands off my ship!'") and teems for about 900 pages of relentless lopped heads, severed torsos, assassins, intrigue, war, tragic love, over-refined sex, excrement, torture, high honor, ritual suicide, hot baths and breathless haikus. As in Tai-pan, the carefully researched material on feudal Oriental money matters seems to he Clavell's real interest, along with the megalomania of personal and political power. After Blackthorne has saved Toranaga's life three times, he is elevated to samurai status, given a fief and made a chief defender of the empire. Meanwhile, his highborn Japanese love (a Catholic convert and adulteress) teaches him "inner harmony" as he grows ever more Eastern. With Toranaga as shogun (military dictator), the book ends with the open possibility of a forthcoming sequel. Engrossing, predictable and surely sellable.