Back to feudal Japan, which now enters the modern world, from the master of the three-decker behemoth (Shogun, Tai-pan, Noble House, etc.). Once you're into it, you forgive Clavell his galloping grammar and anachronisms and are swept along by spirited storytelling. Although Clavell clearly takes this hackwork as weighty and worthy entertainment, the heart quails at a serious weighing of a novel peopled with larger-than-life comic-strip characters caught up in cliches of Japanese exotica and international business deals as well as of internecine warfare—all of which Clavell writes at full throttle as if infused by the soul of Alexandre Dumas. A sequel to Tai-pan (1966), this is the sixth novel in Clavell's Asian saga and takes place in 1862. The gai-jin (foreigners) have arrived, intent on doing business with the Japanese. With laws against the use of the wheel in carriages or carts, the Japanese, their tradition- bound Emperor and competing warlords detest the foreigners, who have ruined the Chinese with the Opium Wars. The mighty Struan shipping empire, Noble House, has built a base in Yokohama, but with the illness (fatal) of Culum Struan, tai-pan (head) of the business empire, 20-year-old Malcolm Struan stands ready to become tai-pan. In the first chapter, however, he's attacked by samurai assassins on the Tokaido road and lies either bedridden or hobbles about for the rest of the novel. Young Angelique Richaud, 18, Parisienne daughter of a gambler who has lost what money the family had, sets her eye on Malcolm. Angelique is raped by a rogue samurai and now secretly carries his child, unbeknownst to the love- besotted Malcolm. Angelique's syphilis-stricken fellow Frenchman Andre Poncin wends his way through the plot toward a glorious love- death with his Japanese mistress while Japanese warlords fight each other, samurai endlessly behead samurai, earthquakes shiver, and Yokohama burns. You get your money's worth if you want to spend it here.
Pub Date: June 1, 1993
ISBN: 0-385-31016-1
Page Count: 944
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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