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GAI-JIN

Back to feudal Japan, which now enters the modern world, from the master of the three-decker behemoth (Shogun, Tai-pan, Noble House, etc.). Once you're into it, you forgive Clavell his galloping grammar and anachronisms and are swept along by spirited storytelling. Although Clavell clearly takes this hackwork as weighty and worthy entertainment, the heart quails at a serious weighing of a novel peopled with larger-than-life comic-strip characters caught up in cliches of Japanese exotica and international business deals as well as of internecine warfare—all of which Clavell writes at full throttle as if infused by the soul of Alexandre Dumas. A sequel to Tai-pan (1966), this is the sixth novel in Clavell's Asian saga and takes place in 1862. The gai-jin (foreigners) have arrived, intent on doing business with the Japanese. With laws against the use of the wheel in carriages or carts, the Japanese, their tradition- bound Emperor and competing warlords detest the foreigners, who have ruined the Chinese with the Opium Wars. The mighty Struan shipping empire, Noble House, has built a base in Yokohama, but with the illness (fatal) of Culum Struan, tai-pan (head) of the business empire, 20-year-old Malcolm Struan stands ready to become tai-pan. In the first chapter, however, he's attacked by samurai assassins on the Tokaido road and lies either bedridden or hobbles about for the rest of the novel. Young Angelique Richaud, 18, Parisienne daughter of a gambler who has lost what money the family had, sets her eye on Malcolm. Angelique is raped by a rogue samurai and now secretly carries his child, unbeknownst to the love- besotted Malcolm. Angelique's syphilis-stricken fellow Frenchman Andre Poncin wends his way through the plot toward a glorious love- death with his Japanese mistress while Japanese warlords fight each other, samurai endlessly behead samurai, earthquakes shiver, and Yokohama burns. You get your money's worth if you want to spend it here.

Pub Date: June 1, 1993

ISBN: 0-385-31016-1

Page Count: 944

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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