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EXILE EXODUS

An intricate tale that presents an intriguing blend of politics, romance, and betrayal.

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Fleming’s historical novel traces Egyptian Pharaoh Akhenaten’s tumultuous reign as it coincides with the biblical exodus and the subsequent birth of Judaism.

The year is 1371 BCE, and Amenhotep IV is 10 years old. Despite the fact that he’s the youngest son of the pharaoh, children from the labor village bully him and tease him about the fact that his family worships Amen, “the hidden one who has no form.” From there, the narrative jumps forward, largely centering on the long, turbulent history of Amenhotep IV’s reign, which only comes about due to the death of his pharaoh father and the tragic drowning of his older brother, Thutmoses, during a military campaign. A thoughtful man, Amenhotep IV often struggles with issues of spirituality: “Only my thoughts of awareness have meaning. It is as if the gods are looking at the world through my eyes. Is it one god, or several gods, or is it Aten – or something else beyond my understanding, or simply a distorted illusion of my incidental soul?” He eventually concludes that Aten is the one true god—a radical departure from Egyptian polytheism. He changes his name to Akhenaten and rules Upper and Lower Egypt with his beloved wife, Nefertiti, at his side. Years later, their grown daughter, Meritaten, finds an abandoned baby, whom she takes in as her own and names Moses. Multiple storylines document the turmoil of Akhenaten’s unusual rule as political rivals plot schemes and assassinations. The events ultimately culminate in Moses’ leading the famous exodus from Egypt, resulting in a religious movement that will change the world forever.

Fleming does an admirable job of weaving together a multitude of happenings over the novel’s timespan. Readers who are unfamiliar with Egyptian history will see some familiar names pop up, such as Nefertiti and Tutankhamen. However, character names become increasingly hard to keep track of after they start to change in the middle of the narrative (Amenhotep to Akhenaten, Nebetah to Beketaten, Tutankhaten to Tutankhamen, and so on). It’s inconvenient, but Fleming does his best to make it as painless as possible by providing an extremely helpful family tree at the beginning of the novel, and by grounding the narrative in concrete historical touchstones. The dialogue flows naturally, with no attempt at old-fashioned dialect, and the author manages to keep up a brisk pace, despite dedicating a large amount of text to the ins and outs of Egyptian politics. The book even manages to branch out into thriller territory with the shocking murder of a key player. One of its most interesting aspects is Fleming’s personalization of historical events; Moses’s reluctance to accept his exile, for example, feels distinctly relatable: “‘We cannot leave Egypt. It is our home. We were born and raised here for many generations.’ Moses stood up and put his hand on his chest. ‘I was raised in the royal family of Pharaoh Tutankhamen.’” It’s this sense of humanity that carries the novel and effectively provides context to a dramatic time in history.

An intricate tale that presents an intriguing blend of politics, romance, and betrayal.

Pub Date: May 21, 2024

ISBN: 9780971567641

Page Count: 189

Publisher: Wellspring Books

Review Posted Online: Sept. 16, 2024

Kirkus Reviews Issue: Nov. 15, 2024

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  • New York Times Bestseller

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DEAD BEAT

From the Ninth House series , Vol. 3

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

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A dark fantasy set on the Yale campus ends with a bang.

Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

Pub Date: Sept. 15, 2026

ISBN: 9781250884312

Page Count: 496

Publisher: Flatiron Books

Review Posted Online: Sept. 15, 2026

Kirkus Reviews Issue: Nov. 1, 2026

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HOLLOW BONES

The queen of social activist novels has done it again. Impressive, important, and fun to read.

The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.

“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in Septem­ber, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fif­teen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.

The queen of social activist novels has done it again. Impressive, important, and fun to read.

Pub Date: Sept. 15, 2026

ISBN: 9780593726259

Page Count: 464

Publisher: Ballantine

Review Posted Online: June 15, 2026

Kirkus Reviews Issue: July 15, 2026

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