A collection of unpredictable postmodern jests with more than a little pathos underneath the levity.

NEW BAD NEWS

A collage of surrealistic short fictions that range from playful one-liners to Bukowski-tinged ruminations on life and death.

Ridge offers a new collection of stories, reminiscences, fragments, and fables that are firmly in his wheelhouse of finding whimsical humor in the everyday world. It opens with a series of interconnected stories that mostly follow the musings of a jaded, heavy-drinking refugee from Kentucky as he bombs around Los Angeles on his motorcycle. Ridge also occasionally touches upon unusual real-life characters, penning a somber tribute to the late musician Elliot Smith and a melancholy portrait of an aged Babe Ruth, among others. The clever duet of "Noir" and "The Second Detective" offers a minimystery, about a private eye looking for a missing girl, replete with the genre's tropes. Most of the stories are extremely short and meticulously minimalist, but Ridge devotes more real estate to the longest story, "Hey, It's America!" involving one man's determination to throw a quirky festival starring Clint Eastwood. Next, we get a big batch of abrupt but ambitiously experimental stories. "Three Prayers for Artists" offers eccentric good wishes for Subway sandwich artists, con artists, and conceptual artists. Most seem like flash fiction, staccato bursts of scenes such as "On Acid," which reads in its entirety, "I glance at our guru’s finger as he’s pointing at the moon, but then I realize it’s his middle finger pointed at a riot cop and it’s the middle of the afternoon.” The penultimate set of stories starting with "22nd-Century Man" purports to turn some chatbots loose to answer the questions posed in Padgett Powell's novel in questions, The Interrogative Mood (2009). Finally, Ridge finishes with an acid series of stories that follow around Death as the Grim Reaper grapples with anxiety, work stress, and human resources during a well-earned vacay in LA.

A collection of unpredictable postmodern jests with more than a little pathos underneath the levity.

Pub Date: May 19, 2020

ISBN: 978-1-946448-56-9

Page Count: 180

Publisher: Sarabande

Review Posted Online: April 13, 2020

Kirkus Reviews Issue: May 1, 2020

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The World War II Hollywood setting is colorful, but it’s just a B picture.

MERCURY PICTURES PRESENTS

An ambitious young Italian woman makes her way among the émigrés of 1930s and ’40s Hollywood.

Maria Lagana has come to Los Angeles after her father is sentenced to confino—internal exile—for his anti-fascist advocacy in Mussolini’s Italy. Living with her mother in the Italian American neighborhood of Lincoln Heights—also home to a trio of no-nonsense great-aunts forever dressed in black—Maria finds work as a typist at Mercury Pictures International, working in the office of studio head Artie Feldman, a fast-talking showman with a collection of toupées for every occasion. In time, the letters from her father stop, and Maria becomes an associate producer, Artie’s trusted right hand, as well as the secret lover of Eddie Lu, a Chinese American actor relegated to roles as Japanese villains. When a young Italian immigrant turns up at her door introducing himself as Vincent Cortese, Maria’s past—and the mystery of what happened to her father—crashes into her present. Like the author’s earlier novels, the award-winning A Constellation of Vital Phenomena (2013) and The Tsar of Love and Techno (2015), this one builds a discrete world and shows how its denizens are shaped—often warped—by circumstance. But the Hollywood setting feels overfamiliar and the characters curiously uninvolving. While the prose frequently sings, there are also ripely overwritten passages: At a party, the “thunking heels of lindy-hopping couples dimpled the boozy air”; fireworks are described as a “molten asterisk in the heavens to which the body on the ground is a footnote.”

The World War II Hollywood setting is colorful, but it’s just a B picture.

Pub Date: July 19, 2022

ISBN: 978-0-451-49520-4

Page Count: 432

Publisher: Hogarth

Review Posted Online: March 30, 2022

Kirkus Reviews Issue: April 15, 2022

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Ford raises fascinating questions, but a rushed ending too neatly ties up the answers in an unconvincing, sentimental bow.

THE MANY DAUGHTERS OF AFONG MOY

Covering 250 years, Ford’s new novel traces the way states of consciousness involving extreme moments of pain or joy interconnect seven generations of Chinese women.

Embedded images—airplanes, ships, waves—and the occasional ghostly vision highlight how these women’s lives reverberate as the focus moves back and forth in time. In 1942 China, Faye Moy, a nurse in her 50s who’s working with American forces, feels an eerie connection to a dying young pilot in whose pocket she finds a newspaper photograph of herself as a teenager and a note in her own handwriting that says, “FIND ME.” Finding oneself and/or one’s soul mate becomes the throughline of the book. Faye’s great-grandmother Afong Moy, the first Chinese woman in America, dies in childbirth after a short career being exhibited as a curiosity in the 1830s. Faye’s mother, Lai King (Afong’s granddaughter), sails to Canton after her parents’ deaths in San Francisco’s Chinatown fire of 1892. Onboard ship she bonds with a young White boy, also an orphan, and nurses him when contagion strikes. When Faye is 14, she has an illegitimate daughter who is adopted and raised in England. Presumably that girl is Zoe Moy, who, in 1927, attends the famously progressive Summerhill School, where a disastrous social experiment in fascism destroys her relationship with a beloved poetry teacher. In 2014, Zoe’s emotionally fragile granddaughter, Greta, loses both her skyrocketing tech career and the love of her life at the hands of an evil capitalist. While several earlier Moys receive aid and guidance from Buddhist monks, Greta’s troubled poet daughter, Dorothy, turns to both Buddhism and radical scientific treatment to uncover and understand how past crises, emotional, physical, and spiritual, are destabilizing her current life in 2045. Expect long treatises on anamnesis, quantum biology, and reincarnation before traveling with Dorothy’s adult daughter in 2086.

Ford raises fascinating questions, but a rushed ending too neatly ties up the answers in an unconvincing, sentimental bow.

Pub Date: Aug. 2, 2022

ISBN: 978-1-9821-5821-7

Page Count: 384

Publisher: Atria

Review Posted Online: May 11, 2022

Kirkus Reviews Issue: June 1, 2022

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