by Ryan White ‧ RELEASE DATE: May 9, 2017
A feel-good biography for Parrotheads; others may want to pass.
The Mayor of Margaritaville gets mythic treatment in an adoring chronicle that looks back at his decadeslong career.
For many, Jimmy Buffett (b. 1946) endures simply as an icon of midlife escapism, forever grinning behind aviator-style sunglasses, beachwear, and his guitar. Former Oregonian sports and culture reporter White (Springsteen: Album by Album, 2014) further cultivates that legend, locating the beginning of Buffett’s unlikely rise to the predilections of a ship-hopping father who once yearned for a life of seafaring adventure. With that tone set, the author explores Buffett’s spawning grounds in and around Mississippi and Alabama with equal awe and wonder. When Buffett was born, notes the author, the town of Mobile was known as the “Mother of Mystics.” Making it as a musician in places like Nashville, New Orleans, and Key West was a mystical feat in and of itself. However affable, Buffett was something of a curious oddity in a town enamored with the sort of darkness embodied in the likes of Kris Kristofferson. But as Buffett’s pals explain, he always had the right mojo. As musician and talent scout Don Light remembers, “ ‘the people liked him.’ Not just the songs, they liked the singer….‘ If it was him and guitar, he could talk all evening.’ ” Fans also liked the freedom that the singer represented. Consequently, he was able to turn his laid-back lyrics and lifestyle into a powerful corporate brand responsible for a slew of chain restaurants, resorts, and assorted merchandise. In White’s account, how Buffett actually managed to become a multimillion-dollar mogul is far less important than the legend and lore behind the man. The author’s subject, however, is conspicuously absent from the career-spanning chronicle. Many of the direct quotes attributed to the artist are actually taken from various concert stages over the years, and they don't illuminate much outside of demonstrating Buffett to be a likable guy.
A feel-good biography for Parrotheads; others may want to pass.Pub Date: May 9, 2017
ISBN: 978-1-5011-3255-1
Page Count: 352
Publisher: N/A
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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BOOK REVIEW
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
BOOK REVIEW
by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
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