An earthy, lyrical love story.
Two young men pursue a furtive romance in conservative rural New England.
Set largely in 2004 and 2005, Hynes’ sensual debut turns on the arrival of 17-year-old Chris Hartley with his parents in Spaulding, Maine. Chris’ recent coming out as gay scandalized his barely tolerant father, a Methodist minister, prompting a move to a new church in a new state. There, Chris meets Eben Turner, the teenage scion of a family famous for its orchard and the apple that bears its name. What follows echoes a host of familiar LGBTQ+ romance tropes: secret trysts, unaccepting parents, a defiant happily-ever-after. But the story is elevated by Hynes’ rich prose and well-rendered details about grafting different trees to grow new varieties of apples (hence the novel’s title); fine art (a famous painter commemorated the orchard and Eben’s grandfather), and (especially) religion. Though Chris bristles against his strict parents, his interest in religion leads him to explore the likely homosexuality of King James VI (of King James Bible fame), and his passion is echoed by Eben’s own care for the life of the orchard. Religious symbolism abounds, from the apple tree to the characters’ very names—Eben and Chris aren’t far from Eden and Christ—and Hynes powerfully disrupts any gentility in the language with unflinching scenes of the brutality of deep-seated homophobia. Braiding chapters alternately narrated by Chris and Eben, the book evokes “Brokeback Mountain,” Call Me by Your Name, and Gilead, and if the plot doesn’t quite elevate the novel to the level of those classics, it’s a fine debut and a rich portrait of the fierceness and intensity of first love and futile attempts to stand in its way.
An earthy, lyrical love story.Pub Date: today
ISBN: 9781952143960
Page Count: 320
Publisher: Islandport Press
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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