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TRAVELS WITH HERODOTUS

Author and subject, student and mentor, are perfectly matched. Illuminating reading for any aspiring journalist or travel...

Famed Polish writer and traveler Kapuscinski (The Shadow of the Sun, 2001, etc.), who died in January 2007, pays honor to antiquity’s “Father of History.”

Herodotus, the 5th-century chronicler, scarcely figured in the curriculum when Kapuscinski was going to university just after WWII. Though a Polish translation had been completed, he recalls in opening, it went unpublished throughout Josef Stalin’s remaining years, its pages full of subtle warnings that imperial overreach and the cruelty of rulers would always be avenged one day. When a Polish Herodotus finally did appear, it went into Kapuscinski’s suitcase courtesy of the newspaper editor who sent the young man, bad suit and all, off to India and China as a correspondent. As he recounts, he quickly realized that he knew nothing, that “the more words I knew, the richer, fuller, and more variegated would be the world that opened before me, and which I could capture.” Inspired by the commonsensical Herodotus, who tried to explain the world beyond their gates to his fellow Greeks, Kapuscinski embarked on a series of travels that he details in his many other books and describes, sometimes allusively, here. One episode finds him wandering through Nasserite, prohibitionist Cairo looking for a discreet place in which to pitch an empty beer bottle; another sees him alternately spied on and chanted to in China (“With each passing day I thought of the Great Wall more and more as the Great Metaphor”); still another confronts him with the curious sight of an animated Louis Armstrong playing before a stony-faced audience of Sudanese, “unable to communicate much less partake of an emotional oneness.” Throughout, Kapuscinski tests and emulates Herodotus’s methods: “he wanders, looks, talks, listens, in order that he can later note down what he learned and saw, or simply to remember better.”

Author and subject, student and mentor, are perfectly matched. Illuminating reading for any aspiring journalist or travel writer, for any traveler, for any citizen of the world.

Pub Date: June 11, 2007

ISBN: 978-1-4000-4338-5

Page Count: 288

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2007

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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