A hilarious, brilliant, cynical (and maybe even a little sad) takedown of the moral vacuum that is celebrity culture.
After a beloved chef/author/TV star dies, his reputation hangs by a thread.
They say writing is a lonely business, but the three people behind the nom de plume S.E. Boyd—journalists Kevin Alexander and Joe Keohane and book editor Alessandra Lusardi—prove with their debut that a group can write a helluva novel. Hip-deep in knowing detail from the worlds of food, media, and Hollywood, they pull off a saucy spin on the death of Anthony Bourdain—only in this version, his name is John Doe, he dies while filming in Ireland, and his asphyxiation is not the result of despair but the accidental outcome of a certain sexual practice. If your Bourdain-loving hackles go up in response to this ploy, know that the book manages to artfully defang that reaction, both because the whole thing is actually about the potential effect of a salacious detail on a posthumous reputation and because in every other way John Doe is an embodiment of everything great about Bourdain. As in life, his body is discovered by a friend who's a renowned chef: "There were three chefs in the world more famous than Paolo Cabrini, all of whom were French and two of whom were dead. Paolo had cooked for five presidents, four kings, three prime ministers, two chancellors, and One Direction, which he learned was a pop band." Unfortunately, a loutish Irish bellhop named Smilin' Charlie McCree (not the strongest character in the book but a necessary one) manages to get an embarrassing photo of Paolo with his friend's corpse. Unfortunately, a desperate content provider at a trashy website makes up a fake anecdote about Doe that goes viral. Unfortunately, Nia Greene, the agent who has devoted her whole life to Doe's career, must now devote her life to controlling these problems. Meanwhile, those details! Honey-baked ham, Substack, secret rooms within secret rooms, Asian-Irish fusion cuisine, high-end interior design as a front for contract killing. They are as good as they can possibly be. Or better.
A hilarious, brilliant, cynical (and maybe even a little sad) takedown of the moral vacuum that is celebrity culture.Pub Date: Nov. 8, 2022
ISBN: 978-0-593-49044-0
Page Count: 288
Publisher: Viking
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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