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BAMBOULA!

THE LIFE AND TIMES OF LOUIS MOREAU GOTTSCHALK

The definitive biography of a uniquely American cultural figure. In 1869, when 40-year-old composer and piano virtuoso Louis Moreau Gottschalk died in Rio de Janeiro, South America and much of Europe went into mourning. In his native United States, newspaper retrospectives portrayed his career as a descent from genius into triviality and scandal. With this contrast, Oberlin College president Starr (Red and Hot: Jazz in the Soviet Union, 1983) begins his exhaustively researched, solidly written study of a musical artist whose short but eventful life encapsulates the history of concert music in the New World during the first half of the 19th century. Born in New Orleans to a Creole mother of ``aristocratic'' origins and an English Jewish father who had a second family living three blocks away from his ``legal'' one, Gottschalk was indelibly formed by parental duplicities and childhood insecurities (his father eventually went bankrupt). As an adult, he inhabited the same world as piano virtuoso Franz Liszt and had the same cataclysmic effect on audiences: Men wept, women swooned. But Gottschalk did not understand that American public opinion would not take kindly to even a few notorious affairs, though Liszt got away with dozens of liaisons in Europe. Despite being hailed as ``the first and greatest composer of the age'' as late as 1864, Gottschalk was ultimately forced to decamp for South America, where he garnered artistic triumphs but no lasting financial success. Though he persuasively argues that Gottschalk's work had greater artistic merit than his received reputation as a composer of salon music and party pieces with a Latin American flavor, the author does not purport to offer a detailed musical exegesis of the compositions. Everything else is here, however, including the famous ``six piano'' marathon concerts and an astute appraisal of Gottschalk's reputation in the 125 years since his death. Starr's scholarly passion provides key insights into an emerging national culture. (40 halftone illustrations, not seen)

Pub Date: Dec. 1, 1994

ISBN: 0-19-507237-5

Page Count: 560

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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