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BLOODY SOIL

A KOLYA PETROV THRILLER

A riveting, energetic sequel with lead characters worth rooting for.

A U.S. agent takes on a dangerous undercover assignment to dismantle a neo-Nazi group in this third installment of a thriller series.

Kolya Petrov suffers from PTSD after the torture he endured just a year ago. But he’s more than ready when the Executive Covert Agency hands him his latest mission. Kolya, a Russian Jewish immigrant, may even have a personal reason to take down German-based white supremacists. He heads overseas and cozies up to their apparent leader, Frederick Bauer, who’s got his sights set on the Jewish director of an organization outing local Nazis. Kolya, struggling to maintain his covert identity, also faces an unforeseen threat. Bauer’s girlfriend, Lisette Vogel, has her own lethal agenda. She’s secretly hunting the wolf-tattooed neo-Nazi who killed her beloved father. She’s dispatched murderous men along the way, and as she suspects Kolya to be another killer Nazi, he may soon wind up on her hit list. But with Bauer suspecting a traitor to the “cause,” neither Kolya nor Lisette is safe, and both are determined to expose the diabolical plan Bauer’s group has brewing in Manning’s (Nerve Attack, 2021, etc.) tale in which the action rarely lets up. Kolya and Lisette face relentless peril, as naturally distrustful Bauer questions any number of things they do or say. While the neo-Nazis are indisputable villains, other characters have layered personalities; Lisette has flashes of guilt, even when knocking off killers, and Kolya’s cherished fiancee takes up residence in his mind. The author sets an impressive pace, driving the plot forward while slyly reminding readers of Kolya’s rotating identities and dropping subtle nods to earlier series events. In the end, this narrative makes it clear that Nazis, not Germans, are evil. Certain members of that hateful batch, for one, hail from other countries, while Manning showcases the beauty of Germany by often lingering on its historically rich cities and towns.

A riveting, energetic sequel with lead characters worth rooting for.

Pub Date: Nov. 9, 2022

ISBN: 978-1-64599-404-6

Page Count: 366

Publisher: Encircle Publications, LLC

Review Posted Online: Sept. 1, 2022

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2015


  • New York Times Bestseller

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

Awards & Accolades

Our Verdict

  • Our Verdict
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  • Kirkus Reviews'
    Best Books Of 2015


  • New York Times Bestseller

Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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