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TROJAN HORSE

A remarkable tale that makes espionage rousing, demanding, and occasionally terrifying.

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An intelligence operative becomes the unwitting pawn of an American agency seeking vital information on a potential terrorist in this debut thriller.

The Executive Covert Agency is focused on Mihai Cuza, a dangerous man planning to discredit the Romanian government. As this likely entails terrorist activity, the ECA has an agent close to Cuza. The spy manages to send the agency a list of 15 towns around the world, each home to a nuclear power plant. Cuza is surely plotting something nefarious, but ECA agent Nikolai Ivanovich “Kolya” Petrov discovers a more immediate concern. As Cuza has unmasked several agents, there must be a leak, which Kolya narrows down to one of three people on the Intelligence Committee. ECA head Margaret Bradford wants to identify the mole but also has another scheme in the works: tricking Cuza into downloading a Trojan horse on his seemingly unhackable computer. She sends an oblivious Kolya on a standard mission, hoping that Cuza will kidnap the agent and coerce him into accessing ECA’s site (where a Trojan horse awaits). As Kolya will likely resist torture, Bradford ensures the mole somehow learns about the agent’s lawyer girlfriend, Alex Feinstein, whom Cuza subsequently abducts to use as leverage. Jonathan Egan, Kolya’s friend and frequent ECA partner, teams up with others to find his fellow agent despite an early report that Kolya has died. As Jonathan and Kolya gradually realize that Bradford has deliberately arranged the abductions, they contemplate revenge—although making sure Kolya and Alex survive their predicaments comes first.

The bulk of Manning’s espionage tale, which shifts between various perspectives, centers on individuals searching for Kolya or keeping him captive. As such, the action is minimal but striking: Kolya does not make an easy target for kidnappers, and Alex proves more than capable when it appears escape is viable. Readers will sympathize with Kolya, especially since Bradford puts him in harm’s way even after acknowledging he’s one of ECA’s best agents. Moreover, the Russian Jewish immigrant is a skilled jazz pianist who distracts himself from his harrowing experience by playing musical pieces in his head. The torture Kolya endures is unsurprisingly violent but never excessive or exceedingly graphic. Still, Cuza’s preferred method of homicide is particularly cruel and brutal. Manning thankfully describes it only once, and subsequent mentions of the act are enough to rack up the tension, as it may befall the protagonist. The story’s spies and villains are appropriately complex and unpredictable. Bradford, for example, isn’t the only one at ECA who betrays Kolya, and some aligned with Cuza don’t necessarily agree with his plan to torture the agent into submission. Some readers may question certain plot points, including that it seems every character is aware of ECA, “an agency that few knew existed,” as well as flawed technological jargon (for example, software downloaded to a computer rather than uploaded). But these are relatively minor stumbles in an otherwise bracing narrative. Though this could easily be a stand-alone novel, the engaging volume is the start of a series.

A remarkable tale that makes espionage rousing, demanding, and occasionally terrifying.

Pub Date: Oct. 16, 2020

ISBN: 978-1-64599-102-1

Page Count: 332

Publisher: Encircle Publications, LLC

Review Posted Online: July 31, 2020

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YOU'D LOOK BETTER AS A GHOST

Squeamish readers will find this isn’t their cup of tea.

Dexter meets Killing Eve in Wallace’s dark comic thriller debut.

While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.

Squeamish readers will find this isn’t their cup of tea.

Pub Date: April 16, 2024

ISBN: 9780143136170

Page Count: 336

Publisher: Penguin

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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DAUGHTER OF MINE

Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.

The loss of her police officer father and the discovery of an abandoned car in a local lake raise chilling questions regarding a young woman’s family history.

When Hazel Sharp returns to her hometown of Mirror Lake, North Carolina, for her father’s memorial, she and the other townspeople are confronted by a challenging double whammy: As they’re grieving the loss of beloved longtime police officer Detective Perry Holt, a disturbing sight appears in the lake, whose waterline is receding because of an ongoing drought—an old, unidentifiable car, which has likely been lurking there for years. Hazel temporarily leaves her Charlotte-based building-renovation business in the capable hands of her partners and reconnects with her brothers, Caden and Gage; her Uncle Roy; her old fling and neighbor, Nico; and her schoolfriend, Jamie, now a mother and married to Caden. Tiny, relentless suspicions rise to the metaphorical surface along with that waterlogged vehicle: There have been a slew of minor break-ins; two people go missing; and then, a second abandoned car is discovered. The novel digs deeper into Hazel’s family history—her father was a widow when he married Hazel’s mother, who later left the family, absconding with money and jewels—and Miranda, a consummate professional when it comes to exposing the small community tensions that naturally arise when people live in close proximity for generations, exposes revelation after twisty revelation: “Everything mattered disproportionately in a small town. Your success, but also your failure. Everyone knows might as well have been our town motto.”

Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.

Pub Date: April 9, 2024

ISBN: 9781668010440

Page Count: 368

Publisher: Marysue Rucci Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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