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THE LONE BLOND

A quietly lyrical novel of an American family.

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In this debut family saga, Moeller tells the story of a man sent on a mission into his family’s past by his estranged, dying father.

Thirty-six-year-old Art Romero researches neuropsychology at a college in Boston. He hasn’t seen his family, back in Albuquerque, for the last 17 years. He’s currently dating a woman named Sandra, but he’s afraid to commit to their relationship, as he was with all of his previous girlfriends. After he gets a message from his sister that their father, Al, is sick, Art debates whether he should go home to New Mexico to see him. It turns out that he’s dealing with quite a bit of emotional baggage. “You can do what you want,” his psychiatrist tells him when he asks her for advice. “If you go, it might be like a research project, except you’ll be involved.” Romero does end up going, but he doesn’t receive a warm welcome. His mother and sister regard him with suspicion, in part because he’s the only member of his Mexican-American family who passes for white in his daily life. But his dying father has a special request. He wants Art to contact his mother—Art’s grandmother—who has some secret information about the family’s origins in Mexico. Art’s mother, meanwhile, is afraid that when Al dies, his money will go to someone other than her—possibly her in-laws. To fulfill his father’s wishes, Art goes to El Paso, Texas, and Chihuahua, Mexico, taking photos, meeting relatives, and retracing his family’s history back to pre-revolutionary Mexico, which his branch fled long ago. Along the way, he tries to determine what his father was trying to come to terms with—and figure what’s driving himself to help his dad in that quest. Moeller’s prose is simple and elegant throughout this novel, constructing subtle observations that often blossom into images of surprising beauty: “I put the disc into the projector and up pop the color graphs of the brain. If we have souls this is where they live—in these reds, blues, and yellows that are like an impressionist painting. ‘Here’s the perfect brain,’ I say. ‘Three pounds of convoluted matter.’ ” The hypnotic rhythms of the language help to pull the reader through the deliberately paced plot, often creating moments of mystery and tension where, in the hands of a lesser writer, they simply wouldn’t exist. She also probes the complexities of race in the American Southwest—including the notion of passing, and the impact that can have on one’s identity. Not every reader will appreciate this novel’s style, however; the revelations come quite slowly and are not particularly breathtaking, and Art’s brand of brooding masculinity, while familiar, isn’t all that relatable. Even so, Moeller offers a thoughtful story that takes a close look at how specific events and personalities can shape a family’s dynamic for generations, and at how one’s personal ambitions can be shaped or hindered by those of one’s parents.

A quietly lyrical novel of an American family.

Pub Date: N/A

ISBN: N/A

Page Count: 269

Publisher: Kurti Publishing

Review Posted Online: Jan. 31, 2019

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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