by S. O. Thomas ; illustrated by Corina Alvarez Loeblich ‧ RELEASE DATE: April 2, 2020
A highly original, well-illustrated fairy tale/horror story.
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In Thomas’ (Fenlick Whiskbur, 2019, etc.) middle-grade series starter, a girl with a strange ability must complete a mission in a twisted and dangerous fantasy realm.
On her 12th birthday, Cricket Kane expects her dad, as always, to give her one gift from him and another that represents her mom, who died the day that Cricket was born. This year, however, he’s oddly reluctant to give her the second gift. It’s a journal that her mother kept from ages 8 to 13, and it contains her mom’s notes about seeing the same kinds of visions that Cricket does: strange trails of colored dust, wafting around people and things. Her mother, however, thought that the dust had “magical properties” and that “tooth fairies” and their leader, “the santa,” knew more about it. This may sound like a somewhat juvenile premise for the book’s middle school target audience, but Thomas provides a fairy-tale twist that’s as audacious as it is inventive—and a mite horrific, to boot. Under the santa’s direction, a spiderlike tooth fairy kidnaps Cricket’s baby brother. Only the girl can see the true appearance of the monstrous “slugwump” that the fairy left in the child’s place; the creature infects people with corrupting black dust, which turns them against Cricket. A catlike “cattawisp” confirms to her that “The santa you think you know is not the santa who is.” To rescue her brother, Cricket must travel to the source of the evil: Aeryland, formerly called “Fairyland.” Along the way, she faces danger, injury, and betrayal as she tries to master her own dust-driven powers. Thomas’ dark fantasyland is a page-turner that’s teeming with unusual creatures such as tooth fairies, aka “gibber snatches”; bloodsucking “hematoads”; ticklish “critterpuffs”; needle-toothed “buttersprites”; giant mountain rabbits; ghastly “gargolems” that turn living things to stone; and the aforementioned slugwumps, which are significant to the plot’s outcome. Debut artist Loeblich offers beautiful black-and-white pen-and-ink illustrations, which are set in delicate oval frames on textless pages; Cricket and her dad are shown as dark skinned; her stepmother and best friend appear white. The images also capture the strange landscapes and creepy creatures in intricate detail.
A highly original, well-illustrated fairy tale/horror story.Pub Date: April 2, 2020
ISBN: 978-1-951406-06-6
Page Count: 402
Publisher: Ichigo Black Books
Review Posted Online: Jan. 21, 2020
Kirkus Reviews Issue: March 1, 2020
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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