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MEDUSA

A NOVEL OF ANCIENT GREECE

A colorful cast headlines this remarkable and sharply written novel.

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Scarlet's fantasy novel offers an enthralling spin on the mythological figure Medusa and her gorgon sisters.

Fisherman Galen lives a relatively quiet life with his family in ancient Greece. He adores his daughters Stheno, Euryale, and Medusa, the youngest, whom he teaches to shoot arrows. One day, Galen’s wife and the girls’ mother, Helen, comes across a serpent whose thoughts she somehow hears in her head. This snake seemingly befriends the woman, but as the two gradually start “Bonding,” Helen’s demeanor toward her family changes for the worse. This leads to a shocking act, one for which the god Zeus unjustly punishes the sisters: He turns all three into gorgons, semi-reptilian and powerful beings who can turn living things into stone with a mere look. Sometime later, an elderly storyteller regales young men with a yarn involving a man-killing, bow-and-arrow-wielding gorgon. Friends Phaeton and Timenious vow to become heroes by defeating the serpent-haired “creature,” but first train to hone their strength and skills. Although their paths diverge, they both learn that there’s a trio of gorgons, each isolated in separate places. Phaeton, fortunately, gets an unexpected helping hand from the goddess Athena; she ultimately directs him to a god-made horn inside a box that only a mortal can open, trusting Phaeton will know what to do if and when he retrieves it. Phaeton doesn’t face the gorgon sisters as a heartless warrior—he opts to listen to them, taking an empathetic approach that’s not at all in line with what Timenious, who isn’t far behind, has planned.

Scarlet’s take on the popular Greek myth moves at an impeccable pace. The first half of the narrative is nonlinear, cutting between exhilarating turns like Galen’s family battling wolves, Helen’s unnerving interactions with the serpent, and Phaeton and Timenious’ brutal training. The second half zeroes in on Phaeton and the gorgons and, notwithstanding fights with huge monsters, somewhat decelerates the momentum. The story nevertheless remains addictive, delving deeper into the already-sympathetic sisters’ plights; their emotionally charged scenes show just how potent a trait empathy can be. A big part of making that work is, of course, the strength of the characters, who the author develops with sincerity and precision (Stheno, Euryale, and Medusa have distinct personalities and never feel like the creatures that men portray them to be). Phaeton is a multifaceted character, as are the surprisingly charming Athena and Osticus, an owl that Athena makes in her magic-filled workshop who becomes a welcome ally for Phaeton. Many readers will recognize other mythological beings along with Medusa and Athena, including the spiderlike Arachne, the goddess Hera, and a winged gryphon. Scarlet’s concise prose, in narrative details as well as dialogue, further energizes this tale. Especially memorable are the incessant hiss-laden comments from serpents whose voices Medusa, like her mother, hears: “If you put your handss near us once more, you will be bitten… you will regret your actionsss.” While there’s a thorough resolution regarding the sisters’ and Phaeton’s stories, a few lingering plotlines could lead to sequels.

A colorful cast headlines this remarkable and sharply written novel.

Pub Date: N/A

ISBN: N/A

Page Count: 470

Publisher: Manuscript

Review Posted Online: Jan. 22, 2024

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ALCHEMISED

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

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Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.

Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

Pub Date: Sept. 23, 2025

ISBN: 9780593972700

Page Count: 1040

Publisher: Del Rey

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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TWELVE MONTHS

The series’ snarky noir vibe might be dwindling, but there’s something of substance in its place.

This is wizard Harry Dresden’s yearlong mourning period for Karrin Murphy, the woman he loved.

If you keep upping your protagonist’s powers throughout a series, then you must balance the scales by increasing the number and strength of their enemies—as well as seriously messing with their personal life. Over the course of the Dresden Files, Harry Dresden, Chicago PI and now one of the most powerful wizards in the world, thought his first love was dead (she wasn’t), sacrificed his half-vampire girlfriend on an altar to save their child, lost another girlfriend when they learned she’d been mind-controlled into their relationship, bound himself into servitude as the Fae Queen Mab’s Winter Knight, and, for the length of an entire book, thought he himself was dead (he wasn’t). But nothing has hit quite as hard as the death of Karrin Murphy, the former police lieutenant who was his quasi-partner, friend, and, after a slow burn across many books, lover. Chicago is in a terrible state following a battle with Ethniu the Titan and her Fomor army, and Harry is doing his best to confront the monsters, dark magic, and anti-supernatural prejudice running wild amid the slowly rebuilding city. He’s also trying to save his half brother Thomas from two different death sentences, train a new apprentice, and juggle a relationship with Thomas’ half sister Lara, the dangerously seductive vampire Queen Mab is forcing him to marry. But he’s doing all this while nearly crushed by grief that threatens his judgment and disturbs his control over his magical powers. Butcher really makes you feel the dark, depressive state Harry exists in as well as the effect it’s having on his friends. Despite all that happens in it, this book is a pause as well as a setup for the series’ planned conclusion, an epic conflict with the eldritch creatures known as “the Outsiders.” It’s a tough, redemptive pause that could be a real drag, but thankfully, it’s not, because Butcher shows balance, too: Even as the crises pile up, so do the help and goodwill from unexpected sources.

The series’ snarky noir vibe might be dwindling, but there’s something of substance in its place.

Pub Date: Jan. 20, 2026

ISBN: 9780593199336

Page Count: 480

Publisher: Ace/Berkley

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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