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THE WITCHES' HOLLOW

A complex and intensely cinematic fantasy debut.

Awards & Accolades

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A man wrestles with his past while attempting to free a village of an evil entity in this debut paranormal thriller. 

Scarlet’s novel focuses on Arthur Montesque, a downtrodden alcoholic and former professional investigator who’s seen happier days. However, one fateful day, he receives a mysterious letter requesting his assistance on a life-changing assignment. The sender, an antiques collector named L.A. Calesanti, wants Montesque to conduct business on his behalf in the small, heavily forested hamlet of Lost Hollow, which, he writes, will feel like “stepping through a portal to the past.” With lucrative compensation provided in advance, Montesque jumps at the opportunity and soon arrives at a forest’s edge after days of traveling on foot and horseback; meanwhile, back at home, his abode mysteriously bursts into flames and burns to the ground. Montesque finally arrives in the town, which features ominous caves, black “Shadowspire” mountains, and superstitious citizens who are terrified of the path into the woods that borders their home. The strange new surroundings seem to play with the investigator’s sense of reality, but they’re also where he discovers that he has hidden powers of his own. In the town, he meets a local barmaid named Vanessa, whom he instantly lusts after, and Scarlet’s heavily detailed descriptions of Montesque’s sexual dalliances (with Vanessa and others) add zest and spice to the novel. In a series of cryptic letters, Montesque is charged with looking into the disappearance of Calesanti’s assistant, who went missing after attempting to locate and purchase an ancient relic. While in the tiny hamlet, Montesque also wants to investigate a vicious forest “beast” called the Morrowen, which he saw during his ride into Lost Hollow. As he and Vanessa become closer, she explains to him that the town is powered by magic, which she calls the “one thing that science will never be able to explain”—and which made the path that he followed into the town suddenly disappear. Banding together with Briar, a local huntsman, they set out to conquer the terrible evil that lives in the woods. However, Scarlet proves to be a highly imaginative author and has much more in store for readers of this serpentine tale of sorcery and wizardry. In one memorable scene, for example, demons reveal a “spectral lens” conduit that they use for transportation, as crackles of black energy snap across Montesque’s vision. Slowly but surely, the protagonist draws closer to solving the mystery of the missing assistant while also fiercely battling creatures lurking in the forest’s shadows—including an enemy that no one saw coming. The author fills this novel’s energetic plot with unexpected twists, and it’s clearly written with seasoned horror-fantasy fans in mind. Scarlet is also quite adept at characterization and ably conjures occult elements as part of the overall worldbuilding. One notable scene involving demons battling a surprisingly powerful Montesque in a dream realm and another involving Calesanti and his daughter are rendered in an especially vivid manner.

A complex and intensely cinematic fantasy debut. 

Pub Date: Oct. 22, 2019

ISBN: 978-1-951237-00-4

Page Count: 358

Publisher: Lonely Lighthouse Publications

Review Posted Online: Dec. 13, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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