by S.A. Scarlet ‧ RELEASE DATE: N/A
A colorful cast headlines this remarkable and sharply written novel.
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Scarlet's fantasy novel offers an enthralling spin on the mythological figure Medusa and her gorgon sisters.
Fisherman Galen lives a relatively quiet life with his family in ancient Greece. He adores his daughters Stheno, Euryale, and Medusa, the youngest, whom he teaches to shoot arrows. One day, Galen’s wife and the girls’ mother, Helen, comes across a serpent whose thoughts she somehow hears in her head. This snake seemingly befriends the woman, but as the two gradually start “Bonding,” Helen’s demeanor toward her family changes for the worse. This leads to a shocking act, one for which the god Zeus unjustly punishes the sisters: He turns all three into gorgons, semi-reptilian and powerful beings who can turn living things into stone with a mere look. Sometime later, an elderly storyteller regales young men with a yarn involving a man-killing, bow-and-arrow-wielding gorgon. Friends Phaeton and Timenious vow to become heroes by defeating the serpent-haired “creature,” but first train to hone their strength and skills. Although their paths diverge, they both learn that there’s a trio of gorgons, each isolated in separate places. Phaeton, fortunately, gets an unexpected helping hand from the goddess Athena; she ultimately directs him to a god-made horn inside a box that only a mortal can open, trusting Phaeton will know what to do if and when he retrieves it. Phaeton doesn’t face the gorgon sisters as a heartless warrior—he opts to listen to them, taking an empathetic approach that’s not at all in line with what Timenious, who isn’t far behind, has planned.
Scarlet’s take on the popular Greek myth moves at an impeccable pace. The first half of the narrative is nonlinear, cutting between exhilarating turns like Galen’s family battling wolves, Helen’s unnerving interactions with the serpent, and Phaeton and Timenious’ brutal training. The second half zeroes in on Phaeton and the gorgons and, notwithstanding fights with huge monsters, somewhat decelerates the momentum. The story nevertheless remains addictive, delving deeper into the already-sympathetic sisters’ plights; their emotionally charged scenes show just how potent a trait empathy can be. A big part of making that work is, of course, the strength of the characters, who the author develops with sincerity and precision (Stheno, Euryale, and Medusa have distinct personalities and never feel like the creatures that men portray them to be). Phaeton is a multifaceted character, as are the surprisingly charming Athena and Osticus, an owl that Athena makes in her magic-filled workshop who becomes a welcome ally for Phaeton. Many readers will recognize other mythological beings along with Medusa and Athena, including the spiderlike Arachne, the goddess Hera, and a winged gryphon. Scarlet’s concise prose, in narrative details as well as dialogue, further energizes this tale. Especially memorable are the incessant hiss-laden comments from serpents whose voices Medusa, like her mother, hears: “If you put your handss near us once more, you will be bitten… you will regret your actionsss.” While there’s a thorough resolution regarding the sisters’ and Phaeton’s stories, a few lingering plotlines could lead to sequels.
A colorful cast headlines this remarkable and sharply written novel.Pub Date: N/A
ISBN: N/A
Page Count: 470
Publisher: Manuscript
Review Posted Online: Jan. 22, 2024
Review Program: Kirkus Indie
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BOOK REVIEW
by S.A. Scarlet
by Christopher Buehlman ‧ RELEASE DATE: Oct. 2, 2012
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
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New York Times Bestseller
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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by SenLinYu ‧ RELEASE DATE: Sept. 23, 2025
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.
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New York Times Bestseller
Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.
Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.Pub Date: Sept. 23, 2025
ISBN: 9780593972700
Page Count: 1040
Publisher: Del Rey
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
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