A marvelously toned-down portrait of quotidian middle-class.
Subtle chronicler of London suburban life Durrant (Having It and Eating It, 2002) offers, in a second novel, a gracious study of the conflicted heart of the modern woman.
Owner of her own antiques boutique in Balham, on the outskirts on London, and content to restore and sell her beautiful, fragile objects, Martha Bones is not thrilled, when her stepfather dies, to have to take his messy cat into her home. Her other two sisters, the large, sentimental Geraldine and the elegant, angular youngest, Eliza, both married with children, feel rather sorry for middle sister Martha, who jilted perfect boyfriend David two years before and now seems resigned to her childless, single-woman-in-control state. An intriguing Dickensian family answers the ad for the cat: the father, Fred, has made a living as a magician since his wife left to “find herself,” and he lives in a junk-filled old building with his two small children clad in nutty, mismatched clothing. At the stepfather’s funeral, however, David reappears, a fastidious and rich dealer in old jewelry, and he and Martha seem to take up where they left off, though this time Martha lets herself believe that the things he offers—an apartment in Kensington, a fabulous new job, expensive clothing—are probably best for her. What should Martha be: the wife of the perfect match, and her own person, or a friendly restorer to the broken-down family who needs her? Durrant moves gently through the muddle of her characters’ lives—and there are a slew of them, from the extended Bones clan to Fred and his crew—fleshing out the complicated relationships and choices that make up families. She doesn’t patronize the reader with tidy answers: Martha’s sisters do not offer satisfying married models for Martha, nor is David terribly unsavory or Fred terribly attractive. A happily realistic close prevails: Martha is allowed to suffer a little.
A marvelously toned-down portrait of quotidian middle-class.Pub Date: Jan. 13, 2005
ISBN: 1-57322-295-X
Page Count: 320
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2004
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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