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LEAVING KENT STATE

A love story that engagingly merges themes of art and anger.

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The Vietnam War comes home as rising political tensions culminate in the 1970 Kent State University shootings in this debut historical novel.

Seventeen-year-old Rachel Morelli is thrilled when her neighbor and longtime crush, Evan Olesson, returns to Kent, Ohio, from his service in Vietnam. She’s surprised to find that he’s lost nearly all the fingers on his left hand and that his dreams of studying music have disappeared. In a classic will-they-or-won’t-they love story, Rachel pines for Evan, but he seems to view her as a little sister. Fedel balances this romance with an exploration of Rachel’s artistic ambitions and her dream of attending Pratt Institute in New York City rather than local Kent State University. Behind the characters’ ambitions, the novel pulses with cultural details of 1969 and ’70: Rachel consumes Nestle Quik and watches Walter Cronkite on the news, and she struggles with what it means that women can wear jeans and that her older sister can be accepted into law school. The changing social mores create a colorful backdrop as Rachel and her peers begin to question everything they know. It all comes to a head with Evan’s return to Kent, as characters grapple with the Vietnam War. Fedel shows the steps of radicalization and—through Evan’s experience—how ordinary people can commit acts of violence. As the story moves ever closer to the infamous Kent State tragedy, during which Ohio National Guardsmen killed four students, the historical and political tensions grow. But the history remains grounded and never expository as Rachel tries to figure out how she feels about events as they happen. The strongest aspect of the book is how its characters use art as a form of resistance—Evan as a musician and Rachel as a visual artist; at one point, Evan explains that art is “fighting back in your own way, and when people see your art and they realize its truth, that’s a protest.”  

A love story that engagingly merges themes of art and anger.

Pub Date: Nov. 11, 2016

ISBN: 978-1-941861-24-0

Page Count: 334

Publisher: Harvard Square Editions

Review Posted Online: May 17, 2017

Kirkus Reviews Issue: July 1, 2017

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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