A love story that engagingly merges themes of art and anger.

LEAVING KENT STATE

The Vietnam War comes home as rising political tensions culminate in the 1970 Kent State University shootings in this debut historical novel.

Seventeen-year-old Rachel Morelli is thrilled when her neighbor and longtime crush, Evan Olesson, returns to Kent, Ohio, from his service in Vietnam. She’s surprised to find that he’s lost nearly all the fingers on his left hand and that his dreams of studying music have disappeared. In a classic will-they-or-won’t-they love story, Rachel pines for Evan, but he seems to view her as a little sister. Fedel balances this romance with an exploration of Rachel’s artistic ambitions and her dream of attending Pratt Institute in New York City rather than local Kent State University. Behind the characters’ ambitions, the novel pulses with cultural details of 1969 and ’70: Rachel consumes Nestle Quik and watches Walter Cronkite on the news, and she struggles with what it means that women can wear jeans and that her older sister can be accepted into law school. The changing social mores create a colorful backdrop as Rachel and her peers begin to question everything they know. It all comes to a head with Evan’s return to Kent, as characters grapple with the Vietnam War. Fedel shows the steps of radicalization and—through Evan’s experience—how ordinary people can commit acts of violence. As the story moves ever closer to the infamous Kent State tragedy, during which Ohio National Guardsmen killed four students, the historical and political tensions grow. But the history remains grounded and never expository as Rachel tries to figure out how she feels about events as they happen. The strongest aspect of the book is how its characters use art as a form of resistance—Evan as a musician and Rachel as a visual artist; at one point, Evan explains that art is “fighting back in your own way, and when people see your art and they realize its truth, that’s a protest.”  

A love story that engagingly merges themes of art and anger.

Pub Date: Nov. 11, 2016

ISBN: 978-1-941861-24-0

Page Count: 334

Publisher: Harvard Square Editions

Review Posted Online: May 17, 2017

Kirkus Reviews Issue: July 1, 2017

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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A clever, romantic, sexy love story.

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RED, WHITE & ROYAL BLUE

The much-loved royal romance genre gets a fun and refreshing update in McQuiston’s debut.

Alex Claremont-Diaz, son of the American President Ellen Claremont, knows one thing for sure: He hates Henry, the British prince to whom he is always compared. He lives for their verbal sparring matches, but when one of their fights at a royal wedding goes a bit too far, they end up falling into a wedding cake and making tabloid headlines. An international scandal could ruin Alex’s mother’s chances for re-election, so it’s time for damage control. The plan? Alex and Henry must pretend to be best friends, giving the tabloids pictures of their bromance and neutralizing the threat to Ellen's presidency. But after a few photo ops with Henry, Alex starts to realize that the passionate anger he feels toward him might be a cover for regular old passion. There are, naturally, a million roadblocks between their first kiss and their happily-ever-after—how can American political royalty and actual British royalty ever be together? How can they navigate being open about their sexualities (Alex is bisexual; Henry is gay) in their very public and very scrutinized roles? Alex and Henry must decide if they’ll risk their futures, their families, and their careers to take a chance on happiness. Although the story’s premise might be a fantasy—it takes place in a world in which a divorced-mom Texan Democrat won the 2016 election—the emotions are all real. The love affair between Alex and Henry is intense and romantic, made all the more so by the inclusion of their poetic emails that manage to be both funny and steamy. McQuiston’s strength is in dialogue; her characters speak in hilarious rapid-fire bursts with plenty of “likes,” “ums,” creative punctuation, and pop-culture references, sounding like smarter, funnier versions of real people. Although Alex and Henry’s relationship is the heart of the story, their friends and family members are all rich, well-drawn characters, and their respective worlds feel both realistic and larger-than-life.

A clever, romantic, sexy love story.

Pub Date: June 4, 2019

ISBN: 978-1-250-31677-6

Page Count: 432

Publisher: St. Martin's Griffin

Review Posted Online: March 4, 2019

Kirkus Reviews Issue: March 15, 2019

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