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HOW FAR THE LIGHT REACHES

A LIFE IN TEN SEA CREATURES

Elegant, thought-provoking comparisons between aspects of identity and the trials of deep-sea creatures.

Part memoir and part study of the intricacies of the ocean, this exploration invites readers to imagine alternative ways of living.

In a book that is much more than an account of deep-sea creatures, journalist Imbler compellingly examines the parallels between the lives and priorities of people and aquatic animals. The author’s ability to locate connections across seemingly disparate topics—e.g., their experience with sexual assault and the life of a 10-foot-long worm called a sand striker—is both unique and engaging. Occasionally, Imbler’s juxtaposition of marine and human life feels forced, but the overall effect is heartening and encourages a reexamination of inherited ideas about family, community, and identity. Offering sometimes-graphic descriptions of the ways in which humankind has chemically altered or thoughtlessly killed individual creatures and entire species, Imbler does not shy away from highlighting the impact of the devastating effects of climate change on the mysterious inhabitants of the sea. Among the fascinating creatures the author profiles are octopus; cuttlefish; the Chinese sturgeon, “which resembles something from a past world, when scaled giants roamed the earth and the continents still clung together”; and yeti crabs, whose “inhospitable” environment, 7,000 feet below the surface, “is nothing to be pitied. The pressure does not crush the crab, and the darkness does not oppress it.” Woven throughout the author’s colorful depictions of underwater animals are equally vivid chronicles of the difficulties they have faced in their life, including disordered eating, sexual assault, racism, homophobia, and more. “Like a dutiful little trash compactor,” they write, “I had digested my messy heap of an identity into a manageable lesson for people who were not like me.” Imbler’s thoughtful presentation of their identity manages to be educational without being didactic, and their entertaining anecdotes about some bizarre animals and their behavior recalls Ed Yong’s An Immense World.

Elegant, thought-provoking comparisons between aspects of identity and the trials of deep-sea creatures.

Pub Date: Dec. 6, 2022

ISBN: 978-0-316-54053-7

Page Count: 272

Publisher: Little, Brown

Review Posted Online: Oct. 10, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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THE BACKYARD BIRD CHRONICLES

An ebullient nature lover’s paean to birds.

A charming bird journey with the bestselling author.

In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”

An ebullient nature lover’s paean to birds.

Pub Date: April 23, 2024

ISBN: 9780593536131

Page Count: 320

Publisher: Knopf

Review Posted Online: Jan. 19, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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ELON MUSK

Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.

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A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.

To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.

Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.

Pub Date: Sept. 12, 2023

ISBN: 9781982181284

Page Count: 688

Publisher: Simon & Schuster

Review Posted Online: Sept. 12, 2023

Kirkus Reviews Issue: Oct. 15, 2023

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