A creative treat.
In this New Zealand import, a young Maori child in pursuit of the perfect cannonball seeks the source of confidence to jump from up high.
Doing an amazing cannonball is a source of pride in this community. The narrator, a brown-skinned child, has been studying cannonballs and learning from Nan. But once at the edge of the diving board, the will to jump fizzles. A little chant helps. Advice from all the onlookers only weighs this jumper down. When someone tells the learner “cannonballs aren’t for you,” Nan offers other advice: “Listen to your heart, to your mind….Do it your way.” When the child listens to what’s inside, a whole new world of self-expression opens up. All dressed up with flowers, feathers, and face paint, the aspiring diver shouts out loud instead of whispering the chant, then, over two spreads, flies and rolls through the air before landing with a big splash—and an appropriate celebration for the accomplishment. This distinctive story of summer fun and growth, set within a culture underrepresented on North American shelves, carries a universal message of listening to one’s own heart and being oneself when the world tries to tell you how and who to be. Morgan, who is of Maori descent, uses bright colors and creative layouts on white space and dark backgrounds to trace the child’s journey from student to star.
A creative treat. (glossary) (Picture book. 4-8)Pub Date: June 1, 2020
ISBN: 978-1-7282-1756-7
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: April 7, 2020
Kirkus Reviews Issue: May 1, 2020
The snappy text will get toes tapping, but the information it carries is limited.
Dancing is one of the most universal elements of cultures the world over.
In onomatopoeic, rhyming text, Bolling encourages readers to dance in styles including folk dance, classical ballet, breakdancing, and line dancing. Read aloud, the zippy text will engage young children: “Tappity Tap / Fingers Snap,” reads the rhyme on the double-page spread for flamenco; “Jiggity-Jig / Zig-zag-zig” describes Irish step dancing. The ballet pages stereotypically include only children in dresses or tutus, but one of these dancers wears hijab. Overall, children included are racially diverse and vary in gender presentation. Diaz’s illustrations show her background in animated films; her active child dancers generally have the large-eyed sameness of cartoon characters. The endpapers, with shoes and musical instruments, could become a matching game with pages in the book. The dances depicted are described at the end, including kathak from India and kuku from Guinea, West Africa. Unfortunately, these explanations are quite rudimentary. Kathak dancers use their facial expressions extensively in addition to the “movements of their hands and their jingling feet,” as described in the book. Although today kuku is danced at all types of celebrations in several countries, it was once done after fishing, an activity acknowledged in the illustrations but not mentioned in the explanatory text.
The snappy text will get toes tapping, but the information it carries is limited. (Informational picture book. 4-6)Pub Date: March 3, 2020
ISBN: 978-1-63592-142-7
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
A solid introduction to a holiday celebrated by millions.
Soundar’s rhyming picture book gives readers an overview of the Hindu celebration of Diwali as it is celebrated in large parts of North India and by the North Indian diaspora.
Diwali is celebrated on the night of the new moon, and so after “Grandpa watches the waning moon” and notes that “the festival is coming soon,” an Indian boy and girl help their family clean and decorate the house. Then they all don new clothes, sing hymns and light lamps together, and exchange gifts and sweets with their neighbors, all in celebration of the holiday. Family members wear a combination of traditional Indian and Western attire; the suburban setting looks Western. It ends with a joyful greeting: “Shubh Diwali, to one and all. / We wish you joy, big and small!” Soundar’s use of “Shubh” in the title—meaning “auspicious” or “holy”—instead of “Happy” is welcome, as is Chua’s inclusion of neighborhood diversity (white and black families as well as a person using a wheelchair). As an entry on the holidays shelf, it breaks little new ground, but North American shelves hardly overflow with Diwali titles. An author’s note explaining the regional and religious differences in the celebration of Diwali across South Asia and the diaspora and a glossary of common terms provide readers with additional scaffolding.
A solid introduction to a holiday celebrated by millions. (Picture book. 4-8)Pub Date: Sept. 1, 2019
ISBN: 978-0-8075-7355-6
Page Count: 32
Publisher: Whitman
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
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