NIVES

A slim, sharply pointed knife of a novel.

A recently widowed Italian farm wife spends a long night on the phone with her local veterinarian.

With its dependence on dialogue and rising tension as revelations about the characters’ pasts build toward a present-moment crisis, Naspini's short novel feels like a two-character play. The usually resilient 66-year-old Nives falls into despair when her husband of many years dies unexpectedly. Rebuffing a suggestion to leave the farm and move in with her daughter’s family in France, Nives suffers debilitating loneliness until she brings Giacomina, a chicken, into the house for company. Then Giacomina becomes paralyzed, and panicky Nives calls old acquaintance Loriano Bottai for veterinary advice. Once Bottai’s wife, Donatella, rouses the alcoholic vet and goes to bed, Nives and Bottai settle in to what becomes a verbal marathon. Their argument about the chicken’s condition leads to banter about Donatella’s snoring, so loud Nives can hear it over the phone. When Bottai mentions that his upstairs neighbor, Pagliuchi, hears Donatella too, the banter becomes gossip about Pagliuchi’s long-ago youthful affair with Rosa, a girl who threw herself from the church belfry. Nives ponders what it must be like for Pagliuchi, “living with death on [his] conscience,” but reveals that she, as well as Donatella, had problematic relationships as an adolescent with both Pagliuchi and Rosa. While Nives talks in concrete terms about Rosa’s ghost cursing them, Bottai sees Rosa as a metaphor for “that thing we all have, which sometimes keeps us awake at night"—a night Bottai and Nives are sharing as they bring up one “Rosa” after another whom they hurt or were hurt by. The two are by turns friendly and hostile, with each revelation shifting who dominates the conversation. Then, midway through, Nives declares that part of her was “massacred” more than 30 years ago, and it becomes clear that Nives and Bottai are each other’s main “Rosas,” cursed with love, resentment, vengeance, cowardice, and guilt.

A slim, sharply pointed knife of a novel.

Pub Date: April 20, 2021

ISBN: 978-1-60945-666-5

Page Count: 144

Publisher: Europa Editions

Review Posted Online: Feb. 9, 2021

Kirkus Reviews Issue: March 1, 2021

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THE HEAVEN & EARTH GROCERY STORE

If it’s possible for America to have a poet laureate, why can’t James McBride be its storyteller-in-chief?

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McBride follows up his hit novel Deacon King Kong (2020) with another boisterous hymn to community, mercy, and karmic justice.

It's June 1972, and the Pennsylvania State Police have some questions concerning a skeleton found at the bottom of an old well in the ramshackle Chicken Hill section of Pottstown that’s been marked for redevelopment. But Hurricane Agnes intervenes by washing away the skeleton and all other physical evidence of a series of extraordinary events that began more than 40 years earlier, when Jewish and African American citizens shared lives, hopes, and heartbreak in that same neighborhood. At the literal and figurative heart of these events is Chona Ludlow, the forbearing, compassionate Jewish proprietor of the novel’s eponymous grocery store, whose instinctive kindness and fairness toward the Black families of Chicken Hill exceed even that of her husband, Moshe, who, with Chona’s encouragement, desegregates his theater to allow his Black neighbors to fully enjoy acts like Chick Webb’s swing orchestra. Many local White Christians frown upon the easygoing relationship between Jews and Blacks, especially Doc Roberts, Pottstown’s leading physician, who marches every year in the local Ku Klux Klan parade. The ties binding the Ludlows to their Black neighbors become even stronger over the years, but that bond is tested most stringently and perilously when Chona helps Nate Timblin, a taciturn Black janitor at Moshe’s theater and the unofficial leader of his community, conceal and protect a young orphan named Dodo who lost his hearing in an explosion. He isn’t at all “feeble-minded,” but the government wants to put him in an institution promising little care and much abuse. The interlocking destinies of these and other characters make for tense, absorbing drama and, at times, warm, humane comedy. McBride’s well-established skill with narrative tactics may sometimes spill toward the melodramatic here. But as in McBride’s previous works, you barely notice such relatively minor contrivances because of the depth of characterizations and the pitch-perfect dialogue of his Black and Jewish characters. It’s possible to draw a clear, straight line from McBride’s breakthrough memoir, The Color of Water (1996), to the themes of this latest work.

If it’s possible for America to have a poet laureate, why can’t James McBride be its storyteller-in-chief?

Pub Date: Aug. 8, 2023

ISBN: 9780593422946

Page Count: 400

Publisher: Riverhead

Review Posted Online: May 9, 2023

Kirkus Reviews Issue: June 1, 2023

THE BOARDWALK BOOKSHOP

A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism.

Three woman who join together to rent a large space along the beach in Los Angeles for their stores—a gift shop, a bakery, and a bookstore—become fast friends as they each experience the highs, and lows, of love.

Bree is a friendly but standoffish bookstore owner who keeps everyone she knows at arm’s length, from guys she meets in bars to her friends. Mikki is a settled-in-her-routines divorced mother of two, happily a mom, gift-shop owner, and co-parent with her ex-husband, Perry. And Ashley is a young, very-much-in-love bakery owner specializing in muffins who devotes herself to giving back to the community through a nonprofit that helps community members develop skills and find jobs. When the women meet drooling over a boardwalk storefront that none of them can afford on her own, a plan is hatched to divide the space in three, and a friendship—and business partnership—is born. An impromptu celebration on the beach at sunset with champagne becomes a weekly touchpoint to their lives as they learn more about each other and themselves. Their friendship blossoms as they help each other, offering support, hard truths, and loving backup. Author Mallery has created a delightful story of friendship between three women that also offers a variety of love stories as they fall in love, make mistakes, and figure out how to be the best—albeit still flawed—versions of themselves. The men are similarly flawed and human. While the story comes down clearly on the side of all-encompassing love, Mallery has struck a careful balance: There is just enough sex to be spicy, just enough swearing to be naughty, and just enough heartbreak to avoid being cloying.

A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism.

Pub Date: May 31, 2022

ISBN: 978-0-778-38608-7

Page Count: 352

Publisher: Harlequin MIRA

Review Posted Online: March 15, 2022

Kirkus Reviews Issue: April 1, 2022

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