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THE GOLDEN THREAD OF WORLD HISTORY

While it’s a difficult read, this work sheds light on esoteric thinking and world history.

A French occultist and author examines the supposed enlightenment of ancient civilizations.

Saint-Yves d’Alveydre (L’Archéomètre, 1910, etc.) first published this work in French in 1884. As the modern-day translator team of Seraya and Haldane (The Sacred Ten, 2011, etc.) notes, this version is the first edition to appear in English. And so English-language readers are now privy to a dense account that seeks to prove that the Judeo-Christian tradition is not something relatively new but is actually the continuation of beliefs that reach far back into history and other cultures. The book begins with a discussion of the antagonism between science and faith. The author argues that a deep investigation of diverse religions will uncover an immense wealth of knowledge from the past. Religious traditions speak of scientific knowledge if only readers are willing to look hard enough. Among the items to be discovered are “gigantic Cyclopean walls,” the vast migration of the Kelts, and the idea that the soul is “experimentally demonstrable.” The author goes on to explain much about Earth long, long ago, including the existence of various races and an assortment of conflicts. The text is not always easy to follow. What exactly is meant by statements like “the Egyptian cyclic Revolution of the fixed Stars is exactly the twelfth part of that of the Kaldeans and the Chinese”? Even readers with a cursory knowledge of, say, Zoroastrianism will likely need to investigate the Code of Gentoo and the frequent footnotes about the Urantia Book. Rereading passages is not an option but a requirement. This is not to say the work is indecipherable. It is nothing short of enlightening to read an author from the late 19th century recognizing the building conflict between science and faith. The volume also offers rare insights into a past thinker’s ideas on the interconnectedness of religions. Readers may need more evidence to believe such findings as a 9-foot-tall giant who lived to be 120 years old, yet the idea that someone would seek to share this information with the world is incredibly beguiling.

While it’s a difficult read, this work sheds light on esoteric thinking and world history.

Pub Date: N/A

ISBN: 978-0-9837102-6-4

Page Count: 472

Publisher: Manakael MasterWorks

Review Posted Online: March 27, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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