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LEGACY OF MASKS

There’s a big, vengeful spectral bear and some Indian magic, but not a lot of real tension. Too bad. Mary Crow, when she’s...

Mary Crow, kickass Atlanta prosecutor, ditches her nice anthropologist boyfriend in Peru to return to her native North Carolina mountains for a reunion with her previous, less urbane boyfriend—and stumbles on small-town depravity.

This is at least the third homecoming for Bissell’s bilingual beauty, who bailed out of the big city in 2001 (In the Forest of Harm) and 2002 (A Darker Justice). But she really means it this time. She’s going to reconnect with dreamy Jonathan Walkingstick, now single and available, and complete with an adorable daughter. But before she can put her love life in order, Mary has to get a job. Shouldn’t be a problem, given the fabulous criminal prosecution success rate she earned in Atlanta. Alas, one of the bad guys she put away, well, killed, was the sheriff of Pisgah County, where she’s looking for work, and the local political machinery has declared her non grata. Spunkily hanging out her shingle as a general practitioner, Mary is quickly involved in lurid local criminality. Ridge Standingdeer, the broad-shouldered, moody, artistic, backwoods Indian hunk working for Mary’s Irish horse-trainer friend Hugh, is the prime suspect in the tomahawk murder of his girlfriend, a high-school senior who’s been sexually abused for years by Deke Keener, the richest man in the county. Keener, a developer with a taste for prepubescent blondes, hires his old debating foe Mary to keep her busy and distracted from the scenes of his many crimes. But Mary, convinced of Ridge’s innocence, steps in to his defense. Her only professional assistance comes from a pair of snoopy preteens, the sister of the victim and the next target on Keener’s disgusting list.

There’s a big, vengeful spectral bear and some Indian magic, but not a lot of real tension. Too bad. Mary Crow, when she’s not being perky and upbeat, is fairly attractive and could be interesting.

Pub Date: March 29, 2005

ISBN: 0-553-80279-8

Page Count: 352

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2005

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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