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SLOUCHING TOWARD ADULTHOOD

OBSERVATIONS FROM THE NOT-SO-EMPTY NEST

Observant and bracingly candid.

A witty, provocative study that examines why so many millenials can't seem to launch into adulthood and now find themselves “wandering—if not literally, then psychically.”

Former Lifetime and McCall’s editor-in-chief Koslow (The Late, Lamented Molly Marx, 2009, etc.) is the parent of young adult children for whom “postponing financial independence, jobs, marriage [and] a hovel of [their] own” has become the norm. This postponement has in turn given rise to a new developmental phase that Koslow calls “adultescence.” This period (ages 22 to 35), writes the author, is characterized by an “exploration [of self and the world] that seems to go on forever, not unlike the Rolling Stones.” A bad economy and severely limited career prospects for young people with no real work experience are only part of the reason for the rise of this new phenomenon. Many adultescents are also taking to heart what their boomer parents have told them since childhood: that they can be and do anything they want because they are special. Consequently, they are creating lives that appear to be breaking all the rules that have characterized the successful, well-ordered lives of their parents. Not only are they not settling for whatever jobs they can find and seeking careers to which they can dedicate their lives; they are also redefining relationships, such as marriage, that once signaled a definitive entry into adulthood. Koslow argues that these hyper-mobile 20- and 30-somethings move across borders and, when necessary, into their parents' homes with equal ease largely because well-intentioned boomers, who secretly “lust for their [children's] attention,” have implicitly agreed to the arrangement. However, as Koslow ultimately concludes, neither is able to evolve their roles. Instead, boomers and their offspring remain tied to each other, caught in a never-never land of loving codependency.

Observant and bracingly candid.

Pub Date: June 18, 2012

ISBN: 978-0-670-02362-2

Page Count: 260

Publisher: Viking

Review Posted Online: April 29, 2012

Kirkus Reviews Issue: May 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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