by Sally Quinn ‧ RELEASE DATE: Nov. 5, 1997
Trite, trivial, and tasteless describe this unrewarding effort of a society reporter, novelist, and ``sometime Washington hostess.'' That latter label horrified Quinn (Happy Endings, 1991) when she heard it aplied to her on Good Morning America. She was, after all, a ``serious journalist,'' and ``hostess'' was synonymous with ``frivolous'' in her view. She was, alas, somehow persuaded otherwise. Quinn has organized a book about giving parties that begins with a credible mantra from her party-giving parents: ``A guest can do no wrong.'' It's downhill from there. Names—from the Clintons to Princess Margaret, Henry Kissinger to Lauren Bacall, and Washington pundits too numerous to mention or remember—are scattered profusely, but many of the anecdotes are pointless and without context. One secret of legendary hostess Perle Mesta's success, she tells us, was to hang a lamb chop in her window to signal a party—but why? Perhaps lamb chops have a kinky sexual connotation not revealed here. More likely, it was WW II and meat was rationed, making lamb chops a surefire lure for partygoers. No hint of that historic motive from Quinn, whose party success meter seems to be how many guests ``in black tie and . . . evening gowns were reclining all over the living room floor giggling.'' Moreover, in a chapter alluringly titled ``The Booze,'' her vaunted motto regarding the immunity of guests stops short at large cocktail parties, where she refuses to serve red wine because ``people spill,'' and coffee after dinner, because ``it kills the party''—presumably sobering everyone up. Other chapters deal equally improbably with table settings, entertainment after the meal, and where to have the party. Beginning and ending chapters are titled ``The Point'' and ``The Point (Again),'' but Quinn seems to have missed it both times. Go to Miss Manners for a useful guide to party giving or to almost any celebrity bio for better anecdotes about parties-I- have-known. (b&w illustrations)
Pub Date: Nov. 5, 1997
ISBN: 0-684-81144-8
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 1, 1997
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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